International
36
2017 Hong Kong AAF/ 2017, 5.19-21 Booth No F5
2017 Hong Kong AAF 5. 19- 5.21
GAGA Gallery Booth No F5
Lee Seoung,Line1703,116x91cm, mixed media,2017
Lee Seoung_Line 1703_116x91cm_Mixed media_2017
Park,Sungsik _elbow chair_91x72cm_Mixed media_2015
Kim,Kwan Soo_The Branches, 132x132cm_Mixed media on canvas_ 2017
Kim,Kwansoo
Choi,Youngwook_Karma, 2017,Mixed media on canvas,,70_x76cm
Cha,Kyung Jin,,Journey Seed,2016,Coper,105x105cm
Kim Nahee, Moon Eyes 19, 45,5x45.5cm
Park,Hyungpill_Resized_20170426
Kim,Eunsun
Majeoung
Joha, etc
2017.05.17
34
art miami aqua 2016. 11.3-12.4
GAGA Gallery No_217
Choi,Young Wook_Karma, 70x77cm, Mixed media on canvas_2013
Choi Young Wook _Karma_110cmx120cm_Mixed media _2010
Choi Youngwook
1964 Born in Seoul. Korea
1991 B.F.A Hong Ik University (Seoul. Korea)
2000 M.F.A Hong Ik University (Seoul. Korea)
Solo Exhibition 24th (1992~2013)
2013 24th Solo Exhibition (Soul Art Space, Busan, Korea)
2013 23rd Solo Exhibition (Gallery a-cube, Tokyo, Japan)
2012 22th Solo Exhibition (Art issue projects.Taipei City. Taiwan)
2012 21th Solo Exhibition (Seojoungwook Gallery. Seoul.Korea)
2012 20th Solo Exhibition (Sun Contemporary. Seoul.Korea)
2012 19th Solo Exhibition (Lotte Gallery.Busan. Korea)
2011 18th Solo Exhibition (Mugaksa. Gwangju. Korea)
2011 17th Solo Exhibition (IAAF World Championships 2011 VIP room. Daegu.Korea)
2011 16th Solo Exhibition (Jun Gallery. Daegu. Korea)
2011 15th Solo Exhibition (Versace aki. Seoul. Korea)
2011 14th Solo Exhibition (Gaga Gallery. Seoul. Korea)
2010 13th Solo Exhibition (Yegam Gallery. New York. NY. USA )
2010 12th Solo Exhibition (Gaga Gallery. Seoul. Korea)
2010 11th Solo Exhibition (Gong Gallery. Seoul. Korea)
2009 10th Solo Exhibition (ArtGate Gallery. New York. NY. USA)
2007 9th Solo Exhibition (Woori Bank Kang Nam Gallery. Soop Gallery. Seoul. Korea)
2007 8th Solo Exhibition (ANNEX Convention Center. Fukuoka. Japan)
2006 7th Solo Exhibition (ONO Gallery. Tokyo. Japan)
2004 6th Solo Exhibition (Seoul Art Gallery. Seoul. Korea)
2003 5th Solo Exhibition (Noam Gallery. Seoul Korea)
2000 4th Solo Exhibition (Hong Ik University museum. Seoul. Korea)
2000 3rd Solo Exhibition (Alternative Space. Seoul. Korea)
1996 2nd Solo Exhibition (Kim Nae Hyun Gallery. Seoul. Korea)
1992 1st Solo Exhibition (Gain Gallery. Seoul. Korea)
Art fair
2014 SOAF (Seoul, Korea)
2014 Chicago International Art Fair (Chicago, USA)
2014 Palm Beach Art Fair (Miami, USA)
2014 LA Art Show (LA, USA)
2014 Artshow Busan 2014 (Busan, Korea)
2014 New York Scope Art Show (New York, USA)
2014 Seoul Living Design Fair (Seoul, Korea)
2013 Art Miami CONTEXT, FL, USA
2013 Toronto Internatinal Art Fair (Toronto, Canada)
2013 Houston Art Fair (Houston, USA)
2013 G Seoul (Grand Hilton, Seoul, Korea)
2013 KIAF (Seoul, Korea)
2012 Miami art fair (Miami. USA)
2012 doors art fair (Seoul.Korea)
2012 KIAF(Seoul.Korea)
2012 Art Kwangju (Kwangju.Korea)
2012 Kunst art fair (Bolzano. Italy)
2012 KIAF (New York. USA)
2011 Cologne art fair (Cologne. Germany)
2011 Miami art fair (Miami. USA)
2011 Doors art fair (Seoul. Korea)
2011 Kwangju art fair (Kwangju. Korea)
2011 Singapore art fair (Singapore)
2011 KIAF art Fair (Seoul. Korea)
2011 Asia Top Gallery Hotel Fair Hyatt (Seoul. Korea)
2011 Asia Top Gallery Hotel art fair (Hong Kong)
2011 New York Scop art fair (USA)
2011 New York Red dot art fair (USA)
2011 Daegu artfair (Daegu. Korea)
2011 Miami Scop art fair (USA)
2010 LA art fair (USA)
2007 Kyeung Hyang Art Fair (Kyeng Ki. Korea)
2007 ANNEX Convention Center (Fukuoka. Japan)
2004 KIAF art fair (Seoul. Korea)
Collection
España Monarchy (España)
Luxembourg Monarchy (Luxembourg)
JEI Education (Seoul.Korea)
Bill & Melinda Gates Foundation (Seattle.USA)
Philadelphia Museum of Art (Philadelphia.USA)
Loreal Korea (Seoul. Korea)
Komferry Asia (Seoul. Korea)
NUVICOM (NJ.USA)
LG, U Plus (Seoul.Korea)
National Museum of Contemporary Art, Korea (Gwacheon. Korea)
Korea Herald (Seoul.Korea)
Baekgong Museum, Gangwon, Korea
Suwon University (Suwon. Korea)
MUDO SATIS MAGAZALARI A.S. (ISTANBUL. TURKIYE)
Blue Dot (Chilgok-gun.Gyeongsangbuk-do. Korea)
Korean Air (Seoul.Korea)
and Korea. USA. JAPAN. FRANCE.SPAIN.GERMANY…
Present
A Member of Korea Fine Art Association
A Member of Kang Nam Art Association
A Member of Origin Art Association
Cha,Kyungjin
The Journey to Hunab Ku
2015, 79x79cm_copper
Cha Kyung-Jin
1992 M.F.A., Seoul National University, Seoul, Korea
Art Fairs 5 Times (2014~2015)
2015 Affordable Art Fair Seoul(DDP,Seoul,Korea),(GAGA Gallery)
2015 Affordable Art Fair, Singapore.(GAGA Gallery)
2015 Affordable Art Fair, Battersea (Lon Don).(GAGA Gallery)
2014 Busan ART Fair (Bexco, Busan, Korea)
Solo Exhibitions 8Times(1996~2016)
2015 A Journey to Hunab Ku/ Gallery GO, Incheon
2013 Return to Nature /, Michuhol Gallery, Incheon
2011 2 Sculpture/ Sinseogye Window gallery,Incheon
2007 Two Face/ Gualldam Gallery, Incheon
2006 The Shadow of Existence/ Haewon Gallery, Incheon
1996 Civilization-Excavation, Apocalypse-The Time of Gods/
Kong Pyeong Art Center, Seoul
Park,Sung Sik_who am I(1),117 x 91cm__Mixed media_2016
Park,Sung Sik_who am I(2), 117 x 91cm__Mixed media_2016
Graduate Fine Art Sejong University
Solo Exhibition(1995~2016)
1995 Insa Gallery, Seoul
2012 57ThGallery
2013 Exhibition of Ci-ol Art Fair
2016 ArtExhibitionsponsoredpilriah,ReubenGallery, Seoul
2016 London Affardable Art Fair Hampstead. Etc
Group Exhibition(1986~2007)
1986 DongsungStreetArt
1997 Kyung Museum of Art, Seoul
2007 Wood Gallery, Heyri. Etc. Kim,Kwan Soo Untitled Wood, cord mixed media on bord Gurated from Dept. of Art education, Kyung Hee Univ. Vanice biennale Asia Pacific Biennale Tara Int'l Exhibition etc. Over 100 times participated in various exhibitions in Korea and Abroad Huh Hwe-tae,Neither thought nor non-thought,100x80cm,hanji,mixed,2015 Huh Hwe-tae,Neither thought nor non-thought,72.7X60.6cm,hanji,mixed,2015 Huh Hwe-tae M.F.A. in Korean Painting, Sang-myungUniversity,Seoul,Korea Grand Prize at KoreaGrandCalligraphyExhibition Emographic Artist -“The Creator of Emography” Lecturer, Art Center Calligraphy Hall, Seoul,Korea Member of Advisory Committee for World Art Federation Member of International Art Cooperative Organization Member of Korea FineArtsAssociation Professor,Yan-Bian University Academy Of Fine Arts, in China Solo Exhibitions *‘Huh Hwe-Tae Emography Exhibition’,Korean Culture Center, Berlin,Germany,2006 *Emography of Huh Hwe-tae : James Madison University:Sawhill Gallery : September 28-Octoboer 30, 2009,USA *The Emography of Huh Hwe-tae : Eastern Mennonite University : Hartzler Gallery, November 14-December 13, 2009, USA *The Emography of Huh Hwe-tae : Korean Embassy in Washington D.C : Korus House : January 11- February 10, 2010, USA * Exhibit of Emographic Artist, Huh Hwe-tae : George Mason University: Mason Hall Gallery : February 15- March 15, 2010, USA *An Invitational Exhibit of the Emography of Huh Hwe-tae : New York Cultural Center : Gallery Korea : March 24- April 22, 2010, USA *‘Huh Hwe-Tae Emography Special Exhibition’ ,Museum of Far Eastern Antiquities,,Sweden,2014 *‘Huh Hwe-Tae Art Exhibiton’,Hangaram Art Museum,Seoul Arts Center (2015,2011,2008) Kim Jeonng Nam_Natural Rhythm_2012_ pen on canvas_116x80.5cm Kim,Jeongnamnatural rhythm-eternal 117.4x73cm mixed on foamex 2016 Hongik University, BFA Printmaking Hongik University, MFA Printmaking Kangnung National Univ, Department of Fine Arts majoring in Painting Solo Exhibition 1999 1st Kwan Hoon Gallery, Seoul 2006 2nd Kangnung art Museum 2009 3th Gaga Gallery, seoul 2010 4th Gaga Gallery, seoul 2011 5th Gaga Gallery, seoul 2013 6th Gaga Gallery, seoul Art Fair 2013 Seoul Open Art Fair/COEX, Korea 2012 Art Miami Context / Miami,USA, Seoul Modern Art Show / aT Center, Seoul 2011 AAF A for double Singapore art fair / Singapore 2010 Art asia Miami art fair / Miami, USA Doors Hotel art fair / Imperial palace Hotel, Seoul Art Daego/ Exco, Daego Gangwon art fair / Gangnung Culture center Gangwon Art Fair / Gangneung Cultural Arts Center 2008 Manif art Seoul / Hangaram Museum, Seoul 2006 Gangwon art fair / Chiak Art center Gangwon Art Fair /Art Museum chiak Award 2012 Grand Art Exhibition of Seoul " The First Prize" 2011 Grand Art Exhibition of Jungsoo Korea "Grand Prize" 2009 Grand Art Exhibition of Shinsaimdang "Grand Prize Introduction I was keen on depiction and deeds for painting when I was young and I majored in Painting and Printing at university. In 1992, I started art working in earnest after winning a "Special Prize" in Grand Art Exhibition of New Art Award. In 1993, I held an exhibition at Tashikent museum at the invitation of Uzbekistan government. In 1994, Painting exhibition in Italy at the invitation of Baeksang Free Art Festival, 1995, Seoul Modern Art Festival. In 1999, I held the first solo exhibition in Kwanhoon Gallery and World Printing exhibition marking the founding. In 2000, I founded Donghae Young Artist Exhibition and began undivided attention in printing work. Going through the various kinds of tough, soft, experimental attempted of depiction, in 2007, I finally came to find vivid figures in repetitive lines. The great nature depicted by rhythmical movements of lines has made a great impression and gained public favor so far. In 2011, I held the 5th solo exhibition where I attempted to express my works with my own unique technique-mixed western Op Art with Orient art technique. I hope to fix my aim as a unique artist by showing my strong individuality and seeking the appearance of true nature. PARK,Hyunsu _ Circle-WB_2015__Oil on canvas_60x60cm Park,Hyun Soo_Single-B,Oil_on_Canvas,60.6x60cm The Canvas as a Structure, or a Space of Brilliance — On Hyun-Su Park’s Work — Written by Kwang-Su Oh Park’s paintings are blurry but sophisticated at once, dynamic but extremely still, simple but complex, and conceptual but real at the same time. The consciousness and the subconsciousness, randomness and a fine deliberation co-exist in his works. Both the part and the whole are delicately fragmented while being integrated into a grandiose order. Both the visible and invisible things exist in harmony with each other on the canvas. While the galaxy sinks deep down into the vastitude of the universe on the canvas, the fragments of image that are as clearly distinct as fossils explode on it. The creation of the universe, or the world in the very beginning might have looked like this. It is said that in the beginning God created the heavens and the earth by his word. Perhaps those tiny signifiants that float around the universe and shine like jewels are there to replace the word in recording each and every instant of the creation. Finally the shining light emerging from the darkness settles on Park’s canvas and becomes a unique conceptual form. According to Young-ho Kim, Park’s works are inspired by the light of the nature, and in the process of artistically expressing the light he experienced, Park has successfully developed his own conceptual form defining structure and spirit of the light. The light, certainly, is the key element of Park’s canvas structure. Woo-Hak Yoon even compares Park with the impressionist artists who converted colors to lights, saying that Park’s works are in line with those of the impressionists who revalorized colors as lights and elevated the absolute value of colors. Park’s working progress also reflects both the depth and the extent structuring the canvas. The first step is to fill the canvas with multi-colored paint drips. Then he covers it thoroughly with a layer of color, and scrapes several parts of the canvas with a rubber knife before it dries. Each one of those scrapes emerges as sparkling signifiants. Some look like Korean alphabets, while others look like occidental alphabets or Arabic numbers. It even seems like a mystic incarnation of the nebulae floating around the universe. Those tiny flashes of light swirl on the background of loops, creating a ritualistic space on the canvas. At the same time, these floating loops take us on a journey to a world that we don’t know. It’s overwhelming with the resonance covering the canvas, but subtle and still at the same time with the secret whispers of light. This subtle paradox of structure can be also put in the following way: “Park’s canvas is mainly composed of vast and simple geometric shapes, but these shapes are in fact a set of hundreds of delicately fragmented forms. Park, Hyun-Su Education 2004 M.F.A, Painting, San Francisco Art Institute, San Francisco, USA 1998 M.F.A, Fine Art, Chung-Ang University, Seoul, Korea 1992 B.F.A, Fine Art, Chung-Ang University, Seoul, Korea Solo Exhibitions 10 Times (1995~2016) Multiplicity II, Jean Art Center, Seoul, Korea Recent Works, Evolving Art Gallery, San Francisco, California, USA Solo, 1212 Gallery, Burlinggame, California, USA. Etc. Grants, Awards & Permanant Collections 2010 Seoul Museum of Art, Permanent Collection, Seoul, Korea 2009 Gangju Art Prize, Gangju, Korea Museum of Art, Permanent Collection, San Jose, California, USA MM06, ICA Sponsorship 1212 Gallery, San Jose, California, USA 2004 Juror's Choice Award Winner, Vallejo Art Foundation, Vallejo, California, USA 2002-2003 SFAI Graduate Fellowship, San Francisco Art Institute, California, USA Kim,Sungmin_Way out_2015_Steel_1000x470x500mm Kim Sung Min,Way out, 600ｘ170ｘ250mm㎜,Steel,2016 Kim Sung Min 1983 Born in Busan B.F.A (Sculpture) Department of Art, Silla University, Busan, South Korea M.F.A (Sculpture) Department of Art, Silla University, Busan, South Korea Ateending at D.F.A Course in Silla University, Busan, South Korea Solo & Tween Exhibition Kim Sung Min Sculpture (Busan Museum of Modern Art / Gallery citizens) Kim Sung Min, Joe young je (Spring Gallery) Kim Sung min 'way out' Sculpture (Woo gallery) Point of contact Kim Sung min, Hong Jun Gyeong (Lee Yeon Ju gallery) Award Chung do cows love Art of War 'Grand prize' (Theme park Bullfighting Chung do) Sung san Art Competition integration 'Grand prize' (Chang won Sung san Art Hall) Busan Biennale International Art Exhibition sea sector 'Grand prize' (Haeundae Beach) Busan Art Exhibition "Excellence Award" twice Others 6th prize (Busan Museum of Modern Art) Group Exhibition and Planning Invitation Exhibition Yangpyeong country Museum planned "family" (Yangpyeong country Museum) and many others Art Fair Busan International Art Fair Gallery BAMA, Gwangju Art Fair, Daegu Art Fair, The Korea International Art Fair KIAF, AFFORDABLE ART FAIR, ART Gyeongju, Orange Art Fair COAF Collections Seongsan Art Hall, Dong-a University Bumin Campus, Eulsukdo Eco Center, Stone Mountain Park, Busan City Hall, Busan City Council, Ulsan Whale Museum, chungdo Bullfighting theme park present Busan Art Exhibition Invited Artist, Busan Art Association, the National Association of Sculptors, Sculptor Korea Association, Kyungnam University, Silla University of Fine Arts and Art Education Lecturer Jeong Mi Ha -life, 삶-인연, 72.7x60.6cm, coffee on canvas, 2016 Julie Jeong 개인전 4회 (토론토, 피렌체, 대전, 서울) 그룹전 : 그림사랑전 1회, 2회 (토론토 영락교회, 토론토) Accademia Riaci 졸업전 (피렌체) 외 다수 2016.11.22
Solo Exhibition(1995~2016)
1995 Insa Gallery, Seoul
2012 57ThGallery
2013 Exhibition of Ci-ol Art Fair
2016 ArtExhibitionsponsoredpilriah,ReubenGallery, Seoul
2016 London Affardable Art Fair Hampstead. Etc
Group Exhibition(1986~2007)
1986 DongsungStreetArt
1997 Kyung Museum of Art, Seoul
2007 Wood Gallery, Heyri. Etc. Kim,Kwan Soo Untitled Wood, cord mixed media on bord Gurated from Dept. of Art education, Kyung Hee Univ. Vanice biennale Asia Pacific Biennale Tara Int'l Exhibition etc. Over 100 times participated in various exhibitions in Korea and Abroad Huh Hwe-tae,Neither thought nor non-thought,100x80cm,hanji,mixed,2015 Huh Hwe-tae,Neither thought nor non-thought,72.7X60.6cm,hanji,mixed,2015 Huh Hwe-tae M.F.A. in Korean Painting, Sang-myungUniversity,Seoul,Korea Grand Prize at KoreaGrandCalligraphyExhibition Emographic Artist -“The Creator of Emography” Lecturer, Art Center Calligraphy Hall, Seoul,Korea Member of Advisory Committee for World Art Federation Member of International Art Cooperative Organization Member of Korea FineArtsAssociation Professor,Yan-Bian University Academy Of Fine Arts, in China Solo Exhibitions *‘Huh Hwe-Tae Emography Exhibition’,Korean Culture Center, Berlin,Germany,2006 *Emography of Huh Hwe-tae : James Madison University:Sawhill Gallery : September 28-Octoboer 30, 2009,USA *The Emography of Huh Hwe-tae : Eastern Mennonite University : Hartzler Gallery, November 14-December 13, 2009, USA *The Emography of Huh Hwe-tae : Korean Embassy in Washington D.C : Korus House : January 11- February 10, 2010, USA * Exhibit of Emographic Artist, Huh Hwe-tae : George Mason University: Mason Hall Gallery : February 15- March 15, 2010, USA *An Invitational Exhibit of the Emography of Huh Hwe-tae : New York Cultural Center : Gallery Korea : March 24- April 22, 2010, USA *‘Huh Hwe-Tae Emography Special Exhibition’ ,Museum of Far Eastern Antiquities,,Sweden,2014 *‘Huh Hwe-Tae Art Exhibiton’,Hangaram Art Museum,Seoul Arts Center (2015,2011,2008) Kim Jeonng Nam_Natural Rhythm_2012_ pen on canvas_116x80.5cm Kim,Jeongnamnatural rhythm-eternal 117.4x73cm mixed on foamex 2016 Hongik University, BFA Printmaking Hongik University, MFA Printmaking Kangnung National Univ, Department of Fine Arts majoring in Painting Solo Exhibition 1999 1st Kwan Hoon Gallery, Seoul 2006 2nd Kangnung art Museum 2009 3th Gaga Gallery, seoul 2010 4th Gaga Gallery, seoul 2011 5th Gaga Gallery, seoul 2013 6th Gaga Gallery, seoul Art Fair 2013 Seoul Open Art Fair/COEX, Korea 2012 Art Miami Context / Miami,USA, Seoul Modern Art Show / aT Center, Seoul 2011 AAF A for double Singapore art fair / Singapore 2010 Art asia Miami art fair / Miami, USA Doors Hotel art fair / Imperial palace Hotel, Seoul Art Daego/ Exco, Daego Gangwon art fair / Gangnung Culture center Gangwon Art Fair / Gangneung Cultural Arts Center 2008 Manif art Seoul / Hangaram Museum, Seoul 2006 Gangwon art fair / Chiak Art center Gangwon Art Fair /Art Museum chiak Award 2012 Grand Art Exhibition of Seoul " The First Prize" 2011 Grand Art Exhibition of Jungsoo Korea "Grand Prize" 2009 Grand Art Exhibition of Shinsaimdang "Grand Prize Introduction I was keen on depiction and deeds for painting when I was young and I majored in Painting and Printing at university. In 1992, I started art working in earnest after winning a "Special Prize" in Grand Art Exhibition of New Art Award. In 1993, I held an exhibition at Tashikent museum at the invitation of Uzbekistan government. In 1994, Painting exhibition in Italy at the invitation of Baeksang Free Art Festival, 1995, Seoul Modern Art Festival. In 1999, I held the first solo exhibition in Kwanhoon Gallery and World Printing exhibition marking the founding. In 2000, I founded Donghae Young Artist Exhibition and began undivided attention in printing work. Going through the various kinds of tough, soft, experimental attempted of depiction, in 2007, I finally came to find vivid figures in repetitive lines. The great nature depicted by rhythmical movements of lines has made a great impression and gained public favor so far. In 2011, I held the 5th solo exhibition where I attempted to express my works with my own unique technique-mixed western Op Art with Orient art technique. I hope to fix my aim as a unique artist by showing my strong individuality and seeking the appearance of true nature. PARK,Hyunsu _ Circle-WB_2015__Oil on canvas_60x60cm Park,Hyun Soo_Single-B,Oil_on_Canvas,60.6x60cm The Canvas as a Structure, or a Space of Brilliance — On Hyun-Su Park’s Work — Written by Kwang-Su Oh Park’s paintings are blurry but sophisticated at once, dynamic but extremely still, simple but complex, and conceptual but real at the same time. The consciousness and the subconsciousness, randomness and a fine deliberation co-exist in his works. Both the part and the whole are delicately fragmented while being integrated into a grandiose order. Both the visible and invisible things exist in harmony with each other on the canvas. While the galaxy sinks deep down into the vastitude of the universe on the canvas, the fragments of image that are as clearly distinct as fossils explode on it. The creation of the universe, or the world in the very beginning might have looked like this. It is said that in the beginning God created the heavens and the earth by his word. Perhaps those tiny signifiants that float around the universe and shine like jewels are there to replace the word in recording each and every instant of the creation. Finally the shining light emerging from the darkness settles on Park’s canvas and becomes a unique conceptual form. According to Young-ho Kim, Park’s works are inspired by the light of the nature, and in the process of artistically expressing the light he experienced, Park has successfully developed his own conceptual form defining structure and spirit of the light. The light, certainly, is the key element of Park’s canvas structure. Woo-Hak Yoon even compares Park with the impressionist artists who converted colors to lights, saying that Park’s works are in line with those of the impressionists who revalorized colors as lights and elevated the absolute value of colors. Park’s working progress also reflects both the depth and the extent structuring the canvas. The first step is to fill the canvas with multi-colored paint drips. Then he covers it thoroughly with a layer of color, and scrapes several parts of the canvas with a rubber knife before it dries. Each one of those scrapes emerges as sparkling signifiants. Some look like Korean alphabets, while others look like occidental alphabets or Arabic numbers. It even seems like a mystic incarnation of the nebulae floating around the universe. Those tiny flashes of light swirl on the background of loops, creating a ritualistic space on the canvas. At the same time, these floating loops take us on a journey to a world that we don’t know. It’s overwhelming with the resonance covering the canvas, but subtle and still at the same time with the secret whispers of light. This subtle paradox of structure can be also put in the following way: “Park’s canvas is mainly composed of vast and simple geometric shapes, but these shapes are in fact a set of hundreds of delicately fragmented forms. Park, Hyun-Su Education 2004 M.F.A, Painting, San Francisco Art Institute, San Francisco, USA 1998 M.F.A, Fine Art, Chung-Ang University, Seoul, Korea 1992 B.F.A, Fine Art, Chung-Ang University, Seoul, Korea Solo Exhibitions 10 Times (1995~2016) Multiplicity II, Jean Art Center, Seoul, Korea Recent Works, Evolving Art Gallery, San Francisco, California, USA Solo, 1212 Gallery, Burlinggame, California, USA. Etc. Grants, Awards & Permanant Collections 2010 Seoul Museum of Art, Permanent Collection, Seoul, Korea 2009 Gangju Art Prize, Gangju, Korea Museum of Art, Permanent Collection, San Jose, California, USA MM06, ICA Sponsorship 1212 Gallery, San Jose, California, USA 2004 Juror's Choice Award Winner, Vallejo Art Foundation, Vallejo, California, USA 2002-2003 SFAI Graduate Fellowship, San Francisco Art Institute, California, USA Kim,Sungmin_Way out_2015_Steel_1000x470x500mm Kim Sung Min,Way out, 600ｘ170ｘ250mm㎜,Steel,2016 Kim Sung Min 1983 Born in Busan B.F.A (Sculpture) Department of Art, Silla University, Busan, South Korea M.F.A (Sculpture) Department of Art, Silla University, Busan, South Korea Ateending at D.F.A Course in Silla University, Busan, South Korea Solo & Tween Exhibition Kim Sung Min Sculpture (Busan Museum of Modern Art / Gallery citizens) Kim Sung Min, Joe young je (Spring Gallery) Kim Sung min 'way out' Sculpture (Woo gallery) Point of contact Kim Sung min, Hong Jun Gyeong (Lee Yeon Ju gallery) Award Chung do cows love Art of War 'Grand prize' (Theme park Bullfighting Chung do) Sung san Art Competition integration 'Grand prize' (Chang won Sung san Art Hall) Busan Biennale International Art Exhibition sea sector 'Grand prize' (Haeundae Beach) Busan Art Exhibition "Excellence Award" twice Others 6th prize (Busan Museum of Modern Art) Group Exhibition and Planning Invitation Exhibition Yangpyeong country Museum planned "family" (Yangpyeong country Museum) and many others Art Fair Busan International Art Fair Gallery BAMA, Gwangju Art Fair, Daegu Art Fair, The Korea International Art Fair KIAF, AFFORDABLE ART FAIR, ART Gyeongju, Orange Art Fair COAF Collections Seongsan Art Hall, Dong-a University Bumin Campus, Eulsukdo Eco Center, Stone Mountain Park, Busan City Hall, Busan City Council, Ulsan Whale Museum, chungdo Bullfighting theme park present Busan Art Exhibition Invited Artist, Busan Art Association, the National Association of Sculptors, Sculptor Korea Association, Kyungnam University, Silla University of Fine Arts and Art Education Lecturer Jeong Mi Ha -life, 삶-인연, 72.7x60.6cm, coffee on canvas, 2016 Julie Jeong 개인전 4회 (토론토, 피렌체, 대전, 서울) 그룹전 : 그림사랑전 1회, 2회 (토론토 영락교회, 토론토) Accademia Riaci 졸업전 (피렌체) 외 다수 2016.11.22
33
Singapore AAF 2016.11.18~11.20
[Singapore]
Affordable Art Fair 2016
2016.11.18~11.20
GAGA gallery
Booth No :2C-12
Kim, Guwan soo
Untitled
2016_Wood, cord mixed media on bord_120x60cm
Gurated from Dept. of Art education, Kyung Hee Univ.
Vanice biennale
Asia Pacific Biennale
Tara Int'l Exhibition etc.
Over 100 times participated in various exhibitions in Korea and Abroad
PARK SUNG SHIK
Slowly_2015_ Mixed media117x91cm
Graduate Fine Art Sejong University
Solo Exhibition(1995~2016)
1995 Insa Gallery, Seoul
2012 57ThGallery
2013 Exhibition of Ci-ol Art Fair
2016 ArtExhibitionsponsoredpilriah,ReubenGallery, Seoul
2016 London Affardable Art Fair Hampstead. Etc
Group Exhibition(1986~2007)
1986 DongsungStreetArt
1997 Kyung Museum of Art, Seoul
2007 Wood Gallery, Heyri. Etc. Kim,Jeongnamnatural rhythm-eterna, 2016, l 117.4x73cm, mixed on foamex Kim Jeong Nam Hongik University, BFA Printmaking Hongik University, MFA Printmaking Kangnung National Univ, Department of Fine Arts majoring in Painting Solo Exhibition 1999 1st Kwan Hoon Gallery, Seoul 2006 2nd Kangnung art Museum 2009 3th Gaga Gallery, seoul 2010 4th Gaga Gallery, seoul 2011 5th Gaga Gallery, seoul 2013 6th Gaga Gallery, seoul Art Fairs 2013 Affordable New York art fair(Gaga Gallery) /New York,USA 2013 Seoul Open Art Fair(Gaga Gallery)/COEX, Korea 2012 Art Miami Context(Gaga Gallery) / Miami,USA, Seoul Modern Art Show / aT Center, Seoul 2011 Affordable Singapore art fair(Gaga Gallery) / Singapore 2010 Art asia Miami art fair(Gaga Gallery)/ Miami, USA Doors Hotel art fair(Gaga Gallery)/ Imperial palace Hotel, Seoul Art Daego/ Exco, Daego Gangwon art fair / Gangnung Culture center Gangwon Art Fair / Gangneung Cultural Arts Center 2008 Manif art Seoul / Hangaram Museum, Seoul 2006 Gangwon art fair / Chiak Art center Gangwon Art Fair /Art Museum chiak Award 2012 Grand Art Exhibition of Seoul " The First Prize" 2011 Grand Art Exhibition of Jungsoo Korea "Grand Prize" 2009 Grand Art Exhibition of Shinsaimdang "Grand Prize Choi,Seungyoon Beginning of the stop-2015-21 oil on canvas_72.7x60 Statement Every day of our lives, we are continually encountering the events which is caused by our ironical basic demands, such as get hungry so we eat, get hot so we drink cold water and work hard so we rest. We are in the middle of the gigantic stream of the story that is created by these balancing activities from these unlimited opposition solutions for our needs. In easy words, if we think that we should stop eating than we would like to keep eating, if there are something that gets forbidden than people will get crazy to do it. It is very common human society nature. I found recent Hollywood movie “Gravity” very intriguing. The keyword from the movie was the gravity as it said on the title. The gravity contains the very basic but powerful force that can disrupt the time and space. The planet contains this gravity becomes huge magnetic object, which I believe that is origin of the rule of the opposition between plus and minus. Magnet contains two different sides N and S which is very mirror characteristic. They only be able to exist because of each other’s existences. They cannot be separated. As planet contains magnetic characteristic, we humans also variously have these two different sides characteristic. May be that is why we call someone “Star” who keeps others attention very well. In this topic, it seems like I am demonstrating about magnetic characteristic between two opposite sides, however this discussion eventually become pointing at the third fact that is hidden. I believe that the world we are living is not only two opposite sides, there are third part. It is because of these two different sides. That is the reason why number three is easily acceptable for us. In many religions take the trinity very heavily, the three separations of powers in modern democracy countries and the most of competition counts up to the third place. In history, many of ancient scholars believed that human are consist of mind, soul and body. It could be effected by the fact that we are living in this three dimensional world. My work “The completion of the beginning” is the story about between the complexity and simplicity, Big and small. As our huge solar system is nothing but only the dot from Milky Way galaxy map. Our complicated lives only a tale to someone. Personally, “beginning of the stop” was a big problem to me, it had been always conversational topic to me when I decided the level of completion for my work. I personally consider my painting as a human being. As human dies, I thought the completion of my work is decided when the movement of the picture is stopped. However, in my rule of the opposition, it always makes it hard when I tried to stop the movement of the picture to complete. However, I consider that this paradox leads to me to express the ironical movement which is stopped but still moving. “The rule of the freedom” work came out in the opposite direction during my work “Beginning of the stop”. It was challenge to me with the thought “Let’s drawing freely”. It contains two face characteristic between stop and beginning, however I found often hard to orchestrate between this two opposite senses. For example, when I tried to draw feely, this thought became a limit to present a truly freedom. I think human made its own rules from the true freedom and when rule became limitation than always look for freedom. These activity has been going on entire human history. Therefore, it came to me as the thought that is it only ideal to think about the true freedom? Then there are no such a thing as the true freedom? I tried to describe this questions of mine in my work. Therefore, my work became not really free but also not really limited. From my work, I started to believe that if there are demands of being free then opposite side will demands as well so it will limit each other. I found that when the freely drawn lines met each other, they become closed space. To be specific, all oh my works “The completion of the beginning”, “The rule of the freedom” and “Beginning of the stop” series are basically similar but they are different. I think that it is the true nature of the world. Same but different, different but same. As in wider view we are all human beings but we think we are not the same. I think it is important to consider the true meaning of “The Opposite Side” from us. We think it is opposite, because it is opposite side from us or we think it is not this side so that we believe it is as “The Opposite Side”. I believe the ultranationalists and extremists of the left are actually similar. Two side divided oppositions are actually connected. I present this ironic characteristic world throughout my work. Cha, Kyung Jin The Journey to Hunab Ku 2015, 79x79cm_copper Cha Kyung-Jin 1992 M.F.A., Seoul National University, Seoul, Korea Art Fairs 5 Times (2014~2015) 2015 Affordable Art Fair Seoul(DDP,Seoul,Korea),(GAGA Gallery) 2015 Affordable Art Fair, Singapore.(GAGA Gallery) 2015 Affordable Art Fair, Battersea (Lon Don).(GAGA Gallery) 2014 Busan ART Fair (Bexco, Busan, Korea) Solo Exhibitions 8Times(1996~2016) 2015 A Journey to Hunab Ku/ Gallery GO, Incheon 2013 Return to Nature /, Michuhol Gallery, Incheon 2011 2 Sculpture/ Sinseogye Window gallery,Incheon 2007 Two Face/ Gualldam Gallery, Incheon 2006 The Shadow of Existence/ Haewon Gallery, Incheon 1996 Civilization-Excavation, Apocalypse-The Time of Gods/ Kong Pyeong Art Center, Seoul Woo,Changhoon Wisdom,2016,72.7x60cm,Oil on canvas Woo, Chang-Hoon Graduated from University of Central Painting Award-winning 1978 1st Central Art Exhibition 14th Competition 1985 target gusangjeon 2004 Best Art Award (Korea Association of Art Critics' Choice) Solo Exhibition 13th Invitation Exhibition of Modern Art Gallery 1987 LA (United States, Modern Art Gallery) etc. Art Fair-Context Art Miami, Cologne Art Fair, Singapore AAF, Seoul Open Art Fair Jeon,Yonghwan Transforming Cycles-1,2007, 100x95x12cm Aluminum-Pain Graduated from Hong Ik Univ. Majored in Sculpture. Graduated from Education Graduate School of Hong Ik Univ. Graduated from Italy National Carrara Academia (Italy) 16th Solo Exhibition Art Fairs Art Busan -BEXCO Kunstral Art Amsterdam - Amsterdam Koeln Messe(Koeln International Art Fair) - Koeln KIAF(Korea International Art Fair) -COXE Kunstral Art Frankfurt - Frankfurt Metal Works Today (Samiru, KIM CHONG YUNG MUSEUM ,Korea) Metal Spirit Exhibition Korean Sculpture’s Association Exhibition Present: Member of Korean Fine Arts Association, Korean Sculpture’s Association and Hong-Ik Sculpture Association, An Invited Artist of Grand Art Exhibition of Korea GAGA 2016.11.16
Solo Exhibition(1995~2016)
1995 Insa Gallery, Seoul
2012 57ThGallery
2013 Exhibition of Ci-ol Art Fair
2016 ArtExhibitionsponsoredpilriah,ReubenGallery, Seoul
2016 London Affardable Art Fair Hampstead. Etc
Group Exhibition(1986~2007)
1986 DongsungStreetArt
1997 Kyung Museum of Art, Seoul
2007 Wood Gallery, Heyri. Etc. Kim,Jeongnamnatural rhythm-eterna, 2016, l 117.4x73cm, mixed on foamex Kim Jeong Nam Hongik University, BFA Printmaking Hongik University, MFA Printmaking Kangnung National Univ, Department of Fine Arts majoring in Painting Solo Exhibition 1999 1st Kwan Hoon Gallery, Seoul 2006 2nd Kangnung art Museum 2009 3th Gaga Gallery, seoul 2010 4th Gaga Gallery, seoul 2011 5th Gaga Gallery, seoul 2013 6th Gaga Gallery, seoul Art Fairs 2013 Affordable New York art fair(Gaga Gallery) /New York,USA 2013 Seoul Open Art Fair(Gaga Gallery)/COEX, Korea 2012 Art Miami Context(Gaga Gallery) / Miami,USA, Seoul Modern Art Show / aT Center, Seoul 2011 Affordable Singapore art fair(Gaga Gallery) / Singapore 2010 Art asia Miami art fair(Gaga Gallery)/ Miami, USA Doors Hotel art fair(Gaga Gallery)/ Imperial palace Hotel, Seoul Art Daego/ Exco, Daego Gangwon art fair / Gangnung Culture center Gangwon Art Fair / Gangneung Cultural Arts Center 2008 Manif art Seoul / Hangaram Museum, Seoul 2006 Gangwon art fair / Chiak Art center Gangwon Art Fair /Art Museum chiak Award 2012 Grand Art Exhibition of Seoul " The First Prize" 2011 Grand Art Exhibition of Jungsoo Korea "Grand Prize" 2009 Grand Art Exhibition of Shinsaimdang "Grand Prize Choi,Seungyoon Beginning of the stop-2015-21 oil on canvas_72.7x60 Statement Every day of our lives, we are continually encountering the events which is caused by our ironical basic demands, such as get hungry so we eat, get hot so we drink cold water and work hard so we rest. We are in the middle of the gigantic stream of the story that is created by these balancing activities from these unlimited opposition solutions for our needs. In easy words, if we think that we should stop eating than we would like to keep eating, if there are something that gets forbidden than people will get crazy to do it. It is very common human society nature. I found recent Hollywood movie “Gravity” very intriguing. The keyword from the movie was the gravity as it said on the title. The gravity contains the very basic but powerful force that can disrupt the time and space. The planet contains this gravity becomes huge magnetic object, which I believe that is origin of the rule of the opposition between plus and minus. Magnet contains two different sides N and S which is very mirror characteristic. They only be able to exist because of each other’s existences. They cannot be separated. As planet contains magnetic characteristic, we humans also variously have these two different sides characteristic. May be that is why we call someone “Star” who keeps others attention very well. In this topic, it seems like I am demonstrating about magnetic characteristic between two opposite sides, however this discussion eventually become pointing at the third fact that is hidden. I believe that the world we are living is not only two opposite sides, there are third part. It is because of these two different sides. That is the reason why number three is easily acceptable for us. In many religions take the trinity very heavily, the three separations of powers in modern democracy countries and the most of competition counts up to the third place. In history, many of ancient scholars believed that human are consist of mind, soul and body. It could be effected by the fact that we are living in this three dimensional world. My work “The completion of the beginning” is the story about between the complexity and simplicity, Big and small. As our huge solar system is nothing but only the dot from Milky Way galaxy map. Our complicated lives only a tale to someone. Personally, “beginning of the stop” was a big problem to me, it had been always conversational topic to me when I decided the level of completion for my work. I personally consider my painting as a human being. As human dies, I thought the completion of my work is decided when the movement of the picture is stopped. However, in my rule of the opposition, it always makes it hard when I tried to stop the movement of the picture to complete. However, I consider that this paradox leads to me to express the ironical movement which is stopped but still moving. “The rule of the freedom” work came out in the opposite direction during my work “Beginning of the stop”. It was challenge to me with the thought “Let’s drawing freely”. It contains two face characteristic between stop and beginning, however I found often hard to orchestrate between this two opposite senses. For example, when I tried to draw feely, this thought became a limit to present a truly freedom. I think human made its own rules from the true freedom and when rule became limitation than always look for freedom. These activity has been going on entire human history. Therefore, it came to me as the thought that is it only ideal to think about the true freedom? Then there are no such a thing as the true freedom? I tried to describe this questions of mine in my work. Therefore, my work became not really free but also not really limited. From my work, I started to believe that if there are demands of being free then opposite side will demands as well so it will limit each other. I found that when the freely drawn lines met each other, they become closed space. To be specific, all oh my works “The completion of the beginning”, “The rule of the freedom” and “Beginning of the stop” series are basically similar but they are different. I think that it is the true nature of the world. Same but different, different but same. As in wider view we are all human beings but we think we are not the same. I think it is important to consider the true meaning of “The Opposite Side” from us. We think it is opposite, because it is opposite side from us or we think it is not this side so that we believe it is as “The Opposite Side”. I believe the ultranationalists and extremists of the left are actually similar. Two side divided oppositions are actually connected. I present this ironic characteristic world throughout my work. Cha, Kyung Jin The Journey to Hunab Ku 2015, 79x79cm_copper Cha Kyung-Jin 1992 M.F.A., Seoul National University, Seoul, Korea Art Fairs 5 Times (2014~2015) 2015 Affordable Art Fair Seoul(DDP,Seoul,Korea),(GAGA Gallery) 2015 Affordable Art Fair, Singapore.(GAGA Gallery) 2015 Affordable Art Fair, Battersea (Lon Don).(GAGA Gallery) 2014 Busan ART Fair (Bexco, Busan, Korea) Solo Exhibitions 8Times(1996~2016) 2015 A Journey to Hunab Ku/ Gallery GO, Incheon 2013 Return to Nature /, Michuhol Gallery, Incheon 2011 2 Sculpture/ Sinseogye Window gallery,Incheon 2007 Two Face/ Gualldam Gallery, Incheon 2006 The Shadow of Existence/ Haewon Gallery, Incheon 1996 Civilization-Excavation, Apocalypse-The Time of Gods/ Kong Pyeong Art Center, Seoul Woo,Changhoon Wisdom,2016,72.7x60cm,Oil on canvas Woo, Chang-Hoon Graduated from University of Central Painting Award-winning 1978 1st Central Art Exhibition 14th Competition 1985 target gusangjeon 2004 Best Art Award (Korea Association of Art Critics' Choice) Solo Exhibition 13th Invitation Exhibition of Modern Art Gallery 1987 LA (United States, Modern Art Gallery) etc. Art Fair-Context Art Miami, Cologne Art Fair, Singapore AAF, Seoul Open Art Fair Jeon,Yonghwan Transforming Cycles-1,2007, 100x95x12cm Aluminum-Pain Graduated from Hong Ik Univ. Majored in Sculpture. Graduated from Education Graduate School of Hong Ik Univ. Graduated from Italy National Carrara Academia (Italy) 16th Solo Exhibition Art Fairs Art Busan -BEXCO Kunstral Art Amsterdam - Amsterdam Koeln Messe(Koeln International Art Fair) - Koeln KIAF(Korea International Art Fair) -COXE Kunstral Art Frankfurt - Frankfurt Metal Works Today (Samiru, KIM CHONG YUNG MUSEUM ,Korea) Metal Spirit Exhibition Korean Sculpture’s Association Exhibition Present: Member of Korean Fine Arts Association, Korean Sculpture’s Association and Hong-Ik Sculpture Association, An Invited Artist of Grand Art Exhibition of Korea GAGA 2016.11.16
32
[London] Affirdable Art Fair Battresea 2016.10.20~10.23
[London]
Affordable Art Fair Battersea 2016
2016.10.20~10.23
GAGA gallery
Booth No : E5
Lim,Changmin_in to a time frame series campping car_2015_pigment print_Led monitor_60x40cm
Jeon,Yonghwan_Transforming Cycles Series_2016_Alumineum Paint_83x72x12cm
-
Park,Sungsik_evaporation_2015_Mixed media_91x72.7cm
Kim,Jeongnam_Natural Rhythm_Acadia_2015_mixed on foamax116.73cm
Lee,Jonghwa_Night in The City_2016_Oil on canvas_23.6x11.8 inches
Jin,Sungmo_Rain_2015_coffee sludge,saw dust_thread_Acrylic color on canvas_227x53cm
Huh,Hwetae_Neither Thought non thought_2015 110x82cm_korea paper & Black ink ,Mixed media
Park,Hyunsoo_Cyrcle_oil on canvas_60x60cm
2016.10.09
30
런던 / London Affordable Art Fair Hampstead 2016.6.16~19
Park, Hyunsoo_Single Y_oil on canvas
London Affordable Art Fair Hampstead 2016
2016.6.16~19
GAGA Gallery
Booth No_J6
+ 82 2 725 3546
Woo, Changhoon_의식입자_Oil on canvas_91x72.7cm
Woo, Changhoon_의식입자_9172.7cm_oil on canvas
Jeon, Yonghwan_Transforming Cycles
Lee Jonghwa_Sight_2016_Oil on canvas_ 91x65.2cm
Yoon, Kyunglim_Cuve_2015_53x53cm_Acrylic on canvas
Park, Sungsik_Mixed media on canvas
Choi, Heajung
Lee, Hyangnam
Park, Sungsik
Kim,Yeulim
Cha, Kyungjin_Journey to Hunab Ku_2015
Jung, Wunsik_Grace_ 2016_ Steel_205x80x260mm_Aluminum,graffirii
Jo, Seongcheun _All Paper
Park, Hyunsoo_Oil on canvas
GAGA
2016.05.26
29
2019 Hong Kong Affordable Art Fair(GAGA Gallery)
Affordable Art Fair Hong Kong 2019. 5.16- 5.19 HONG KONG CONVETIONGAGA Gallery
Affordable Art Fair Hong Kong 2013 Kim Keun-bae_itinerary_2016_Bronze,Marble_40x20x40cm Kim,Soon-Sub_Peaceful Ⅳ Jeon, Yonghwan _Transforming Cycles-1,2016, 83x72x12cm Aluminum-Pain 정운식_Color Jabs_340x540x100mm_steel, urethan paint_2015 _1 이종화/ Lee,Jong Hwa_ The space of dreams 90.9X72cm_Oil on canvas, 2015 Cha Joo Man Trace_Stanless Steel 53cm_45cm_2015 Kim Yong Jin Luciano Pavarotti Steel _74x84cm 2013 관리자 2016.03.29
Affordable Art Fair Hong Kong 2013 Kim Keun-bae_itinerary_2016_Bronze,Marble_40x20x40cm Kim,Soon-Sub_Peaceful Ⅳ Jeon, Yonghwan _Transforming Cycles-1,2016, 83x72x12cm Aluminum-Pain 정운식_Color Jabs_340x540x100mm_steel, urethan paint_2015 _1 이종화/ Lee,Jong Hwa_ The space of dreams 90.9X72cm_Oil on canvas, 2015 Cha Joo Man Trace_Stanless Steel 53cm_45cm_2015 Kim Yong Jin Luciano Pavarotti Steel _74x84cm 2013 관리자 2016.03.29
25
2015 London Hampstead Affordable Art Fair 6.11~14
2015 London Hampstead Affordable Art Fair 6.11~14
Gaga Gallery Booth No_H4 18
Choi, Youngwook(1962~ )
Choi Young Wook_Karma_2015 3-1_76x70cm_Mixed media on Canvas
Choi Young Wook_Karma_2015 3-2_76x70cm_Mixed media on Canvas
The Image of the Moon-Jar as the Epitome of Life
Jin Sup Yoon (Art Critic, Professor at Honam University)
I
The moon-jar (spelt as dalhangari in Korean), roundish and bulging in the middle, was named after its resemblance to the shape of the moon. It reminds you of the image of a full moon up afloat in the dark night sky on the first full moon day of the lunar calendar. The circular disk, as time goes by, is fated to be asymmetrical with one corner of it receding and tapering dint by dint. There could have been, I presume, a remote association between the unbalanced and plump form of the moon and the shape of a pot; the naming came from a sort of emotional response. The moon-jar, having been descended from the Chosun Dynasty does not have a perfectly circular appearance, which is rather different from its Chinese or Japanese counterpart. The Chinese or Japanese porcelains have different colours, whereas most of Chosun’s pots are white in colour. They have a mien similar to Chosun’s women dressed in their white garments; naïve and virtuous.
Choi Young Wook has been painting the Chosun’s moon-jar for quite a number of years. The image of the moon-jar almost fills up the whole canvas, which at a glance, looks as if the painter executed it using a hyperrealistic technique. This is why some viewers or critics are quick to categorize his work as a hyperrealism, but this interpretation is wrong. His work is not an objective representation of the image in a hyperrealistic style, but is rather, inclined to be subjective. The depiction of the image of the moon-jar is merely dressed in the style of figurative description. The only critical criterion that is summoned to interpreting his work as hyperrealistic is the reference to the description of the surface cracks on the pot, and this stems from the misunderstanding that the image of hairline cracks on the glazed porcelain surface represents the real fissure on the surface.
II
If so, what are the artist’s surface cracks referring to? What kind of thought did he have in mind while he meticulously drew the fine cracks of the jar surface? In order to answer these queries, it is necessary to re-examine and go back to his earlier works. I was fortunate enough to be asked to write a catalogue essay for his second solo exhibition in 1996 and I feel obliged to briefly mention this issue centring on this critical misconception. For the show in 1996, he exhibited works that were mainly coloured in white and hues of grey. There were faint images of ordinary subjects such as birds, chairs, people, wild flowers, a piano, or grapes drawn against the backdrop. As a whole, the pictorial ambience felt as if the artist himself was having a conversation with the depicted subjects. It intoned his sensibility in a subdued voice. I was compelled to write as follows:
“The encountering of Choi Young Wook’s works eventually means to submerge – to sink through and into his inner self. In other words, it is to apprehend the inside of an individual, a concrete form with mass and volume, through the delivering of an unfamiliar object. At this point, a piece of completed painting becomes a conduit to understanding and a clue to accessing the individual object. The figures, signs and symbols described on the canvas are the indispensible resources for comprehending the inner soul.”
As written in this preface of mine, Choi Young Wook is a type of artist who talks to himself – it is perhaps constitutional. From the early years until recent times, he has been constantly engaged with his work based on this artistic constitution. To him, drawing the images of subjects on a whitish or greyish base signifies a symbolization of experiences in a condensed manner. For what does the artist do such codification, and what kind of meaning does it convey to the artist himself or to the society?
III
Prior to the issue in question, one needs to pay attention to the title of his work: Karma. The word, translated to yeon (緣, bond) in Korean, or up (業, action or deeds to bring good or bad results) in Buddhist connotations, is a metaphorical take of the human life. The relations and bonds entangled like a skein of threads among human beings deliver karma, and karma endlessly circulates – this is the kernel of the ‘yeonki (緣起) theory’ (the principle regarding the creation and extinction of all things in the universe) of Buddhism. This notion of ‘yeonki theory’ is employed behind Choi Young Wook’s action to draw the fine cracked lines that form a connected network. To quote his own words:
“I drew every single line of the moon-jar, and it is not merely an expression of surface cracks of the porcelain. In life, we meet and separate, and meet again somewhere else: I wanted to express such journey of life. This is why I titled it ‘Karma’. Our life is never lived as it was intended to. I sometimes think that there is a presence of destiny. The lines are the expression of destiny, yeon (緣), or karma. All those long and tedious hours I spent on drawing lines were when I thought of my own yeon, karma.”
Choi Young Wook’s behaviour in painting is synonymous to the concept of cultivating or disciplining – something that is seen in many of Korean Monochrome Painting (Dansaekhwa) artists. If it is not so, there is no other possible way to explain his undergoing of such a strenuous task as his artistic labour: he applies layers of various nuances of white onto the canvas and makes up the shape of the moon-jar as if the form seems to be slightly emerging from the background, then finally draws a multitude of fine lines. His painting action is a gesture for seeking the truth, and ultimately, a struggle for self-liberation. It is a gesture trying to move towards zenith, similar to the state of nirvana. However, it is not a religious effort but rather an artistic ritual; it has a different dimension and it is more humane. He spends a remarkable amount of time on painting, and faces an avalanche of distracting thoughts, which indicates that his action is only something very human and not of religious or spiritual origin – he is only an artist. Thus, his purely artistic deed is miles away from undergoing spiritual training. The creating of countless fissure lines on the neatly prepared field of white glaze is a metaphor of life, and at the same time a kind of sign. It is akin to an abridged secret code. On the part of the viewers, it takes imagination to decrypt it, let alone to have the empathy to be able to susceptibly identify it with the viewers’ own life. It has a rhizomatous structure stretching out into all directions, proliferating rigorously.
IV
It is none other than a paradox that this rhizomatous feature of Choi Young Wook’s works, thoroughly grounded on the mode of an analogue display, is comparable to the mode of existence in the era of a digitalized civilization. Just like Jake’s remark from the film ‘Avatar’, “A billion trees belong to one giant tree”, the immeasurable thin lines in Choi Young Wook’s works visualize the unseen lines of connection in the domain of the social network Facebook. The invisible network of individual profiles amounting to nearly 900,000,000 reminds you of Choi Young Wook’s cracks; it is virtual yet real. Any meeting on Facebook can be made into a reality. Your action to press the button ‘like’ in regards to any statement or opinion that appears in cyberspace, is definitely a real action. There are also various kinds of emotion involved in cyber-actions, such as pleasure, cheering, love, rage, jealousy and hatred. Accompanied by such varying realistic emotions, friends of Facebook attempt to communicate with one another in the borderless cyberspace. There, the difference of skin colour, religion, or ethnicity does not exist. Once they mutually agree to be friends, the communication starts right away even if there is a certain language barrier between them. It is similar to the flowing river: all kinds of different information loaded on Facebook flows and runs like water in real-time. It is an excellent image of life in the figurative sense.
V
Choi Young Wook emphatically said that his paintings were a medium for communication. A form of art involves someone who has created it and someone who will appreciate it, and the potential of an interactive communication is built in it. The interaction between an artwork and a viewer is not a patent on the media art relying on a directly responsive method. The interactive experience is possible even in the genre of paintings made by even the analogue method in Choi Young Wook’s work. For instance, when he looks back upon his own life, connecting the lines of the entire web, those who have the ability to grasp the grammar of the artwork will similarly project their own life onto his painting. The artist says:
“What I hope is that those looking at my painting will think of their own stories and will be able to understand and communicate with people who are entangled in their own life.”
“It is the path of our life. [I am not intending to] represent the realistic image of cracks on the porcelain surface. Those lines that I depict split, converge, cut off and meet again at some point. Likewise, in our life, we meet, leave each other, and we are alike yet arguably different, and we can be unified into one, even if we are somewhat different.”
The cracks of the moon-jar is just as much of a symbol for the epitome of life, as a mere aesthetic object to be appreciated. Here is where the charm and ambiguousness of his moon-jar paintings pulsates. The image of the moon-jar at once not only emanates a traditional sense of beauty but a modern one as well. This inclusive aura comes from the colour, subject matter and form. The spectrum of elegant colours ranging from milky white to subtle white, variable grey and black, embodied on the traditional moon-jar, is the crystallization of the perseverance of Chosun potters. Whilst Choi Young Wook puts one foot into tradition, he is also committed to unravel the traditional beauty as something contemporary through the medium of painting. Upon observing his paintings from the technical aspect, there is a kind of optical trick hidden in his work. On the protruding part of the jar either includes a dab of shadow or an image of a traditional landscape, only to make it look genuinely real. Due to this element, the surface cracks provoke the viewers to have illusory feelings of believing them to be real, another reason why his works often come under the rubric of hyperrealism.
VI
The image of the moon-jar has recently become more flat and minimal. The moon-jar has been losing its plump and bulging attributes and the changed features accentuates the flatness even more. At the same time, the hairline cracks spread all over the surface of the jar, and in proportion with the expansion of fine lines, the distinctiveness of the shape of the jar is lessened. Although taking such course may be seen as a minute change, he seems to be advancing towards a certain climax. He will eventually reach ground zero, except I cannot guess when it will be. However, it appears obvious that there is an analogy of life in his work, and he is gradually making the thin mesh of fissures bigger in the similar way as his own life is proceeding: it is a piecemeal procedure in which the facets of one’s life, central or minor, are entwined with those of others, weaving a skein of bond and connection – an endless journey towards ground zero. Choi Young Wook 1964 Born in Seoul. Korea
1991 B.F.A Hong Ik University (Seoul. Korea)
2000 M.F.A Hong Ik University (Seoul. Korea) Solo Exhibition 2013 24th Solo Exhibition (Soul Art Space, Busan, Korea)
2013 23rd Solo Exhibition (Gallery a-cube, Tokyo, Japan)
2012 22th Solo Exhibition (Art issue projects.Taipei City. Taiwan)
2012 21th Solo Exhibition (Seojoungwook Gallery. Seoul.Korea)
2012 20th Solo Exhibition (Sun Contemporary. Seoul.Korea)
2012 19th Solo Exhibition (Lotte Gallery.Busan. Korea)
2011 18th Solo Exhibition (Mugaksa. Gwangju. Korea)
2011 17th Solo Exhibition (IAAF World Championships 2011 VIP room. Daegu.Korea)
2011 16th Solo Exhibition (Jun Gallery. Daegu. Korea)
2011 15th Solo Exhibition (Versace aki. Seoul. Korea)
2011 14th Solo Exhibition (Gaga Gallery. Seoul. Korea)
2010 13th Solo Exhibition (Yegam Gallery. New York. NY. USA )
2010 12th Solo Exhibition (Gaga Gallery. Seoul. Korea)
2010 11th Solo Exhibition (Gong Gallery. Seoul. Korea)
2009 10th Solo Exhibition (ArtGate Gallery. New York. NY. USA)
2007 9th Solo Exhibition (Woori Bank Kang Nam Gallery. Soop Gallery. Seoul. Korea)
2007 8th Solo Exhibition (ANNEX Convention Center. Fukuoka. Japan)
2006 7th Solo Exhibition (ONO Gallery. Tokyo. Japan)
2004 6th Solo Exhibition (Seoul Art Gallery. Seoul. Korea)
2003 5th Solo Exhibition (Noam Gallery. Seoul Korea)
2000 4th Solo Exhibition (Hong Ik University museum. Seoul. Korea)
2000 3rd Solo Exhibition (Alternative Space. Seoul. Korea)
1996 2nd Solo Exhibition (Kim Nae Hyun Gallery. Seoul. Korea)
1992 1st Solo Exhibition (Gain Gallery. Seoul. Korea) Group Exhibition 2014 ‘Friends, Trough the Years Ⅱ’ (JJ Joong Jung Gallery, Seoul, Korea)
2014 ‘Cultural Code’ (Springs Center of Art, Beijing, China)
2014 ‘K-P.O.P – Process, Otherness, Play’ (Museum of Contemporary Art Taipei, Taipei, Taiwan)
2013 ‘The Sounds of Korea’ (Embassy of the Republic of Korea in China, Beijing, China)
2013 ‘correspondence’ (BRIDGE GALLERY, Seoul, Korea)
2013 ‘RED GATE’ (Gallery Hogam, Seoul, Korea)
2013 ‘A SCENE FROM A MEMORY’ (odetoart, Singapore)
2013 ‘The Beauty Of Stillness’ (SUPERIOR GALLERY, Seoul, Korea)
2012 Hong-Ik International art Exhibition- alumnus exhibition (Hong Ik University.Seoul.Korea)
2012 Korea contemporary art exhibition (gallery sup. Seoul.Korea)
2012 Friends, Trough the Years (JJ Joong Jung gallery.Seoul.Korea)
2012 LOVE,TRACES-STORY OF LIFE (Gallery Maum. N.Y. USA)
2012 Korean Zone – Mind shadowing into Things (MIA gallery.Beijing,China)
2012 Studio Akka Group Exhibition (Studio Akka. Milano. Italia)
2012 Ilwoo Space Group Exhibition (Ilwoo Space. Seoul Korea)
2012 Reality Equals Dream (Art On Gallery. Singapore)
2012 Seek (JJ Joong Jung Gallery. Seoul. Korea)
2012 Flying Dragon Exhibition (Suppoment Gallery. Seoul. Korea)
2012 Adagio non molto (EON Gallery. Seoul. Korea)
2012 Art in Life Life in Art (Art On Gallery. Singapore)
2012 Gallery Epoque Group Exhibition (Epoque Gallery. Seoul. Korea)
2012 Stone, Water, Moon Exhibition (JJ Joongjung Gallery. Seoul. Korea)
2012 Fiction Nonfiction (Interalia Gallery. Seoul. Korea)
2012 Korea-China Exchane Exhibition (Indecon Gallery. Seoul. Korea)
2012 Korean and Japanese Contemporary Art Exhibition (Jigudang Gallery. Tokyo. Japan)
2012 Korean and Bulgarian Exchange Exhibition (Sofia Municipal Gallery of Art. Bulgaria)
2012 Exhibition Celebrating the Opening of Jungang Newspaper Branch. sponsored by Origin Painting Association (LA Jungang Newspaper Gallery. LA. USA)
2012 Metro Group Exhibition (In Sa Art Gallery. Seoul. Korea)
2012 Treasures From The Mythology (Yegam Gallery. N.Y. USA)
2012 Maum Group Exhibition (NY. USA)
2012 Suwon University Museum of Art (Suwon. Korea)
and participated over 150 times of group exhibition Art fair 2014 SOAF (Seoul, Korea)
2014 Chicago International Art Fair (Chicago, USA)
2014 Palm Beach Art Fair (Miami, USA)
2014 LA Art Show (LA, USA)
2014 Artshow Busan 2014 (Busan, Korea)
2014 New York Scope Art Show (New York, USA)
2014 Seoul Living Design Fair (Seoul, Korea)
2013 Art Miami CONTEXT, FL, USA
2013 Toronto Internatinal Art Fair (Toronto, Canada)
2013 Houston Art Fair (Houston, USA)
2013 G Seoul (Grand Hilton, Seoul, Korea)
2013 KIAF (Seoul, Korea)
2012 Miami art fair (Miami. USA)
2012 doors art fair (Seoul.Korea)
2012 KIAF(Seoul.Korea)
2012 Art Kwangju (Kwangju.Korea)
2012 Kunst art fair (Bolzano. Italy)
2012 KIAF (New York. USA)
2011 Cologne art fair (Cologne. Germany)
2011 Miami art fair (Miami. USA)
2011 Doors art fair (Seoul. Korea)
2011 Kwangju art fair (Kwangju. Korea)
2011 Singapore art fair (Singapore)
2011 KIAF art Fair (Seoul. Korea)
2011 Asia Top Gallery Hotel Fair Hyatt (Seoul. Korea)
2011 Asia Top Gallery Hotel art fair (Hong Kong)
2011 New York Scop art fair (USA)
2011 New York Red dot art fair (USA)
2011 Daegu artfair (Daegu. Korea)
2011 Miami Scop art fair (USA)
2010 LA art fair (USA)
2007 Kyeung Hyang Art Fair (Kyeng Ki. Korea)
2007 ANNEX Convention Center (Fukuoka. Japan)
2004 KIAF art fair (Seoul. Korea) Collection España Monarchy (España)
Luxembourg Monarchy (Luxembourg)
JEI Education (Seoul.Korea)
Bill & Melinda Gates Foundation (Seattle.USA)
Philadelphia Museum of Art (Philadelphia.USA)
Loreal Korea (Seoul. Korea)
Komferry Asia (Seoul. Korea)
NUVICOM (NJ.USA)
LG, U Plus (Seoul.Korea)
National Museum of Contemporary Art, Korea (Gwacheon. Korea)
Korea Herald (Seoul.Korea)
Baekgong Museum, Gangwon, Korea
Suwon University (Suwon. Korea)
MUDO SATIS MAGAZALARI A.S. (ISTANBUL. TURKIYE)
Blue Dot (Chilgok-gun.Gyeongsangbuk-do. Korea)
Korean Air (Seoul.Korea)
and Korea. USA. JAPAN. FRANCE.SPAIN.GERMANY… Present
A Member of Korea Fine Art Association
A Member of Kang Nam Art Association
A Member of Origin Art Association Woo, Byung-chul Woo, Byungchul, seeing. 91x72.7cm, 2010. oil on canvas Woo, Byungchul, seeing. 91x72.7cm, 2010. oil on canvas Mokwon University. fineart collage Solo Exhibition Yonngart Gallery2009, 2010, 2011 (Seoul) Kyunin Gallery 1998 (Seoul) Hyundae Gallery 1998 (Korea) OwonGallery 2003 (Korea) Art Fair Asia Top Hotel Art Fair(Seoul, HongKong) 2009~ 2013 SCOPE Art Fair(NewYork) 2010~2011 Seoul Open Art Fair(Seoul) 2009~2014 ArtHamptons(Hamptons. USA) 2011~2014 Art SouthHamptons(Hamptons. USA) 2014 ART FAIR21.( GERMANY) 2010~2011 HongKong AIAA(HongKong) 2009~2010 Gwangju Art Fair (Korea) 2010 Art Daegu(Korea) 2010 NewYork Art Expo(NewYork) 2009 Seoul Art Salon (Seoul) 2009 HongKong AIAA(HongKong) 2009, 2013 Shanghai Art Fair(Shanghai) 2009 Daegu Art Fair(Korea) 2009, 2014 Korea Art Fair(Seoul) 2003, 2013 LA Art Show( LA, USA) 2014~2015 Miami Spectrum Art Fair(USA) 2014 Miami Palm Beach Art Fair(USA) 2015 London Battersea Affordable(London) 2014 Cha Kyung Jin Cha Kyung Jin_ The Journey to Hunab Ku(Earth)_2015_ 140_87_37cm_ copper Wire Cha Kyung Jin_ The Journey to Hunab Ku(Earth)_2015_ copper Wire Education 1992 M.F.A., Seoul National University, Seoul, Korea Solo Exhibitions 2015 A Journey to Hunab Ku/ Gallery GO, Incheon 2013 Return to Nature /, Michuhol Gallery, Incheon 2011 2 Sculpture/ Sinseogye Window gallery,Incheon 2010Indra’s Net, Alchemy of Relationships / Cube Space, Seoul, Bupyeong Art Center, , Incheon 2007 Two Face/ Gualldam Gallery, Incheon 2007 Desire of the Forest/ Insa Art Center, Seoul, Michuhol Gallery, Incheon 2006 The Shadow of Existence/ Haewon Gallery, Incheon 1996 Civilization-Excavation, Apocalypse-The Time of Gods/ Kong Pyeong Art Center, Seoul Alvin Lee, Bung Lyol / 1952- lee Byunglyol Lee, Bung Lyol _Weather Map-Windy day_Mixed Media_78cmx46cm Lee, Bung Lyol _Weather Map-Windy day_Mixed Media_78cmx46cm Alvin Lee, Bung Lyol / 1952- Bangladesh Biennale 2004, Asian Biennale 2006 KL Malaysia, Asian Biennale 2008 Zhengzhou China , Planed Art Project - Asian Spirit & Soul 2008 ( Sung Nam Art Center ) Spirit Asia 2010,Beijing (Scola Art Center, Beijing, China) Selected Solo Exhibitions & Chief Group Exhibitions 11 times Solo Exhibitions (Shanghai, Singapore, Bali, Malaysia, Seoul etc) MIAF Art Fair 2014 (Hangaram Museum, Seoul Art Center) Invited to ‘Watercolor Today’ 2014 (Singapore) Asian Art Exhibition 2012 ( Tainan, Chinese Taipei Malaysia Art Expo 2006-20010 ( Malaysia ) ‘Spirit Asia’ 2010 Contemporary Art Exhibition(Scola Art Center, Beijing) Shanghai Art Expo 2009 (Shanghai) China Art Expo 2006 (Beijing) Invited to the "Asian Wind"(Chiba, Japan) The Korean Contemporary Art in Wien (Austria) The Korean Contemporary Art in Paris (France) Over Several Hundred times Participated in Numerous Major Private Exhibitions, Group Exhibitions in Austria, France, Germany, Tokyo, Beijing, Bangkok, Singapore, Hong Kong,Taiwan, Jakarta etc. Choi Seungyoon(1984~) Choi Seungyoon_Beginning of the stop-2015-32_oil on canvas_100x80cm Choi Seungyoon _Beginning of the stop-2015-32_oil on canvas_53x45cm Statement Every day of our lives, we are continually encountering the events which is caused by our ironical basic demands, such as get hungry so we eat, get hot so we drink cold water and work hard so we rest. We are in the middle of the gigantic stream of the story that is created by these balancing activities from these unlimited opposition solutions for our needs. In easy words, if we think that we should stop eating than we would like to keep eating, if there are something that gets forbidden than people will get crazy to do it. It is very common human society nature. I found recent Hollywood movie “Gravity” very intriguing. The keyword from the movie was the gravity as it said on the title. The gravity contains the very basic but powerful force that can disrupt the time and space. The planet contains this gravity becomes huge magnetic object, which I believe that is origin of the rule of the opposition between plus and minus. Magnet contains two different sides N and S which is very mirror characteristic. They only be able to exist because of each other’s existences. They cannot be separated. As planet contains magnetic characteristic, we humans also variously have these two different sides characteristic. May be that is why we call someone “Star” who keeps others attention very well. In this topic, it seems like I am demonstrating about magnetic characteristic between two opposite sides, however this discussion eventually become pointing at the third fact that is hidden. I believe that the world we are living is not only two opposite sides, there are third part. It is because of these two different sides. That is the reason why number three is easily acceptable for us. In many religions take the trinity very heavily, the three separations of powers in modern democracy countries and the most of competition counts up to the third place. In history, many of ancient scholars believed that human are consist of mind, soul and body. It could be effected by the fact that we are living in this three dimensional world. My work “The completion of the beginning” is the story about between the complexity and simplicity, Big and small. As our huge solar system is nothing but only the dot from Milky Way galaxy map. Our complicated lives only a tale to someone. Personally, “beginning of the stop” was a big problem to me, it had been always conversational topic to me when I decided the level of completion for my work. I personally consider my painting as a human being. As human dies, I thought the completion of my work is decided when the movement of the picture is stopped. However, in my rule of the opposition, it always makes it hard when I tried to stop the movement of the picture to complete. However, I consider that this paradox leads to me to express the ironical movement which is stopped but still moving. “The rule of the freedom” work came out in the opposite direction during my work “Beginning of the stop”. It was challenge to me with the thought “Let’s drawing freely”. It contains two face characteristic between stop and beginning, however I found often hard to orchestrate between this two opposite senses. For example, when I tried to draw feely, this thought became a limit to present a truly freedom. I think human made its own rules from the true freedom and when rule became limitation than always look for freedom. These activity has been going on entire human history. Therefore, it came to me as the thought that is it only ideal to think about the true freedom? Then there are no such a thing as the true freedom? I tried to describe this questions of mine in my work. Therefore, my work became not really free but also not really limited. From my work, I started to believe that if there are demands of being free then opposite side will demands as well so it will limit each other. I found that when the freely drawn lines met each other, they become closed space. To be specific, all oh my works “The completion of the beginning”, “The rule of the freedom” and “Beginning of the stop” series are basically similar but they are different. I think that it is the true nature of the world. Same but different, different but same. As in wider view we are all human beings but we think we are not the same. I think it is important to consider the true meaning of “The Opposite Side” from us. We think it is opposite, because it is opposite side from us or we think it is not this side so that we believe it is as “The Opposite Side”. I believe the ultranationalists and extremists of the left are actually similar. Two side divided oppositions are actually connected. I present this ironic characteristic world throughout my work. Seoul national university of science and technology , fine art Solo exhibition 2014 3-Party encounter / feeling store 2014 Beginning of the stop / Youngeun Museum of Contemporary Art 2013 Perfect flat / Leeha gallery 2013 It’s real / cafe theatre 2012 ‘Completion of departure’ / NH gallery 2011 'Choi Seung-yoon solo exhibition' / Song's gallery Team exhibition 2015 gaga contemporary art / gagagallery sixsense / gallery Ilho Young artist / United gallery YAP RETURNS / Vollekanne gallery YAP RELOAD / gallery Ilho 2014 Light / jevi-flower cafe Yap year-end / gallery pop Love&Thank you / minari house Seoul Design Spot / kimreea gallery Atropalce / Hyundai department gangdong young eyes / gangdong art center Contemporary art tends to read / ami museum MAKESHOP TOP10 / makeshop art space YAP harvest / chungmu art hall Loyalty / Put on downwind sails Morag Morag / Ilho gallery 2014 Young artist / gallery catholic YAP2014 Great gift / moonam gallery YAP2014 The 1st / chungmu art hall Space support project / united gallery 2013 one more / mooshin museum Young artist / gallery catholic Let’s Hang: Whatever you can carry / space O’newwall Gwanghwamun international art festival / Sejong art center sophia art company / gallery AW artmartket / gallery Jung NEW THINGKING NEW ART / leeseoul gallery Young & young artist project 3rd / youngeun museum of contemporary art 500,000won / Hongyunartcenter 2011 Gallery zum tema exhibition ‘Great minor of seoul city' / UNOFFICIAL PREVIEW 2010 ‘Graduation exhibition of excellent works’ / Gallery young 2009 ‘Good luck to' / Dokwon gallery 2008 Young-deng-po station permanent exhibition 'Young artist 4' / Art center soonsoo Fair 2015 Asia contemporary art fair / conrad hotel hongkong Artrooms / meila white hotel(UK, London) 2014 blanc blue hotel art fair / grand ambassador hotel seoul majoongmul art market / kimreea gallery breeze art fair / blue square nemo 2013 jung art market 3rd / gallery jung jung art market 1th / gallery jung Residence 2013~2014 yeongeun residence Works buy : youngeun museum, individuall, london(UK), Hongkong Kang, Hong Q Kang, Hong Q _ Rebirth at Hoi An _2013_ 100x66.5cm Kang, Hong Q_Rebirth at Hoi An -2014_ 100x66.5cm 1992 ChungAng university (Majored photograph) 1997 Academy of art university MFA (Majored Motion picture and Video) now assistant professor, Joongbu university (Broadcasting and visual art) 1997 solo exhibition in San Francisco Film "caninibals" 2004 solo exhibition in seoul , Avinon through window Jong wook, Jeong Jong wook, Jeong_2014_53x41cm_Mixed media on Canvas Jong wook, Jeong_2014_Energy, 53x41cm_Mixed media on Canvas Graduated f개m College of Fine Arts, Hongik Univ, South Korea Solo Exhibition 3times Group Exhibition (selected) Korea Artist Invitation in LA, Gallery Sun, LA, USA Korea-Russia Anniversary Art Exhibition, Central house of painters, Moskva, Russia Korea Modern Art, The Korean Consul at Osaka, Japan Salon D'HIVER, Paris, France The Exhibition in Commemoration of the International Association of Culture & Art Friendship, Seoul Museum, Seoul, South Korea The international Exchange Exhibition of Korea, South Korea Present Member of Hyung Seong Grup and Korea Fine Art Association CHOI, Haejung Art 2009 Ecole Emile Cohl, Lyon France 2003 Sculpture, Seoul National University (BFA) 1995 Seoul Art High School, painting and sculpture Solo 2015 <Among thoughts>, Gallery Far Beyond, South Korea 2014 Choi haejung Solo Exhibition, Space Not-Sun, South Korea 2013 <Bird>, Gallery Aura, Seoul, South Korea 2011 <Rear Window>, Gaga Gallery, Seoul, South Korea 2010 <Fenêtres>, SU Gallery, Seoul, South Korea Group, Selected Exhibitions 2015 <Turn the page> Artist Book Fair, Norfolk, England (scheduled in May) 2014 <About Books> Group Exhibition, Sangsangmadang gallery, Seoul, South Korea <Turn the page> Artist Book Fair, Norfolk, England 2013 <About Books> Group Exhibition, Sangsangmadang gallery, Seoul, South Korea 2012 <Art Salada> Korean-Japanese Artist group exhibition, Pyengchandong, Seoul <Book Dantalion> Korean Artist Introducing Section, Osaka, Japon <Wow Book> Independant Publishing Fair, Soegyodong, Seoul South Korea <About Books> Group Exhibition, Sangsangmadang gallery, Seoul, South Korea <Turn the page> Artist Book Fair, Norfolk, England 2011 <About Books> Group Exhibition, Sangsangmadang gallery, Seoul <Peong Chang> Group Exhibition, Sinsant gallery, Seoul <Sis book>Group Exhibition, Sono factory gallery, Seoul 2008 <Entre deux mondes> Group Exhibition, Lyon, France Competition & Awards 2014, 2013, 2012, 2011 About books , Sangsangmadang gallery, Seoul, Korea 2015, 2014, 2012 Turn the page 2015, 2014, 2012 , Norwich, England 2011 Competition for Pyeong-chang, Pyeong-chang olympic organization, Seoul, Korea Possession of work Gallery, Library, etc Far beyond Gallery, Seoul, Korea Gallery Aura, Seoul, Korea Book Dantalion, Osaka, Japon Sangsang Madang Gallery, Seoul, South Korea Seoul National University Library, South Korea Seoul National Library, South Korea Private Kim Kyung Hee (Prof. at Sungsil university), Kim jong hyon (prof. Seoul Natinal University of science and technology in Korea), Tsuchimochi Eitaro (Japan), etc. Park, Hyun Bae 2004 B.F.A Colleg of Fine Art, Daejin University 2011 M.F.A Daejin University Solo Exhibition 2012 Gallery Soon 2011 Seongnam Arts Center 2011 Gallery UNC 2010 Gallery K 2010 Gallery MOA 2009 Kwanhoon Gallery 2008 Seoho Gallery Other during participation in a number of art exhibitions Jung, Unsik Jung unsik - Steve Jobs, 310x80x500mm, steninless steel, 2015 Jung unsik - Audrey Hepburn, 320x80x500mm, steninlesssteel, 2015 Jung unsik Gyeongsang National. University (ART Education) graduation‘ University of Seoul (Environmental Sculpture) the master´s course private exhibition 2014 Side-面 (POSCOENC Master view Museum) 2013 면-面 (Iksan cultural foundation Amazing culture) 2013 ICON (Dongshin Univ. Culture Museum) 2012 Image (ART trees gallery) group exhibiton 2014.12 miami art fair (gaga gallery) 2014.10 Recovery (Red brick gallery) 2014.9 Art WINDS (SFAC) 2014.8 Harvest season (Chungmu art hall) 2014.7 YAP of four (Gallery M) 2014.6 1230 the study of Art (GNCAC) 2014.2 animation, animal (GMA) 2014.1 New carving (ARTspace H) award 2013 ART VILLAGE SINHWA Formative Fine Arts ,Grand prize 2013 Soeburi steel Art, Gold medal Kim, Dongwook Kim Dong-Wook- subway station 2015 oil on canvas 91x45.5cm Kim Dong-Wook rainy streets 2015 oil on canvas 91x45.5cm Kim Dong WookG WOOKEducationKeimyung University College of Fine Arts Studied at the Department of Fine Art, Saint-Petersburg Sate Universite, RussiaChung-Ang University School of Art and Art modelingAwardsSosa earn Art Competition destinationRepublic of Korea Nude Art Exhibition ExcellenceJeju Special eroticism contestPOSCO Specialty Art ExhibitionCod Art Exhibition specialtiesConstant Art of War SpecialExperienceCollege of Fine Arts Exhibition 2007 in Tianjin, China - Tianjin2008 little blue chips - sinmi Gallery (cod)2008 new attention Emerging Artists Exhibition - accompanied Gallery (Guangzhou)2009 new frontier atr space - Mercury ahteupiah (cod, private booths ago)2009 A Contemporary Art Exhibition - Tokyo Ginza. 2010 Contemporary Art Exhibition - Tabuk to gallery2010 Eastern Light (Italy Korea before inviting Harmony) - Rome2010 9th Yellow Sea Art Fair - Pyeongtaek Reservoir Art Museum (private booths ago)2010 19th International Art Expo punishment Sosa - Pyeongtaek Reservoir Art MuseumChung-Ang University School of Art 2011 self-portrait - a &s Gallery2011 Asia's flame ago - Suwon Museum2011 Asian KIEV - Hongik University2012 Asia program-old Seoul Station2012 Budding Artists - M Gallery2012 Daegu Art Fair - COEX2013 of the Yuyuan ago - Topo House2013 Cosmopolitan ago - Suwon MuseumKim Dong Wook 2013 Solo Exhibition, Gallery IzuKim Dong Wook 2014 Solo Exhibition, Insa Art Center (first teukbyeolgwan)2014 Through The Eyes Of Soul - Chungmu Art Center2014 YAP - Chungmu Art Center2014 YAP before harvest - Chungmu Art CenterGyeongnam Art Fair 2014 - Changwon Exhibition Convention Center2014 Young Artists - M Gallery2014 Morag Morag pre-issue Gallery2014 Asia program - nine Seoul2014 Seoul Art Show - COEX2015 Travel 2015 - M Gallery2015 YAP - issue Gallery2015 solo exhibition invites Kim Dong Wook - daon Gallery2015 Seoul Open Art Fair (SOFA) - COEXWorks sojangcheo- Baekyang Tourist Hotel, Pyeongtaek Reservoir Art Museum, Inc. go media- Yuk Young-soo Center, Children's Memorial Dual number munhakga In the work notes ...Among the many cities and familiar city to live every day that I passed in sometime during the trip, there is a romantic freedom, seems to have quietly been To loneliness coexist together.And pleasure of the city on the back of positive meaning of the brilliant life of modern people, which is a by-product of capitalism, has been fierce life inherent lonely modern people increasingly isolated.We feel is in freedom, is a deficiency, it is alienation and loneliness.Not only, deficiency and alienation, is in the loneliness of human double life of in the flower of the city to search for freedom and romance have been included in the work.Modern people in the intensity of the city, there is also Attempting craving Nukedaso the city, sometimes sophisticated scent of subtle beans and sometimes romantic city of night view of the cafe, that you miss the relationship between the people I have also. The lyricism of many cities fringed behind the city of pomp, loneliness and alienation of modern man, I want to expose to hope and loneliness and romance.Person of urban landscape is portrayed the impression to real in a way that has been re-configure the afterimage that gives light and shadow in the memory and spatial representation along the flow of time. Kim, Yoongwoong Alien, 72.7cm x 60.6cm, Mixed Media, 2015 Unfounded Journey-1_72.7cm x 60.6cm_Mixed Media_2015 Kim,Young Woong Graduated from Dept. of Fine Art , Hongik Univ. 2014 Sadaemun Artist Community Exhibition so on. 2014 MIAF Art Fair, Seoul Art Centre,Hangaram Museum/Collaboring works Malaysia Art Expo, Matrade Convention Centre , KL Nexart Exhibition 'Auction Party', Insa Art Gallery Asian Watercolour, Kepco Art Centre, Seoul Asian Art Expression, Tainan, Taiwan Art Museum Secretary General/IACO, Member of Korea Art Association HOJIN Hojin 60×60cm_ceramic on canvas_2014 HoJin_Sweet Imagination_60×60cm_ceramic on canvas_2014 HoJin
solo_11 / ArtFair_14 / Group_80
2015 Solo Shine Think (Gallery PUESTO, Seoul)
2015 Solo Le Penseur (GAGA Gallery, Seoul)
2015 ArtFair Affordable Art Fair (GAGA Gallery, Hong Kong)
2015 ArtFair Seoul Open Art Fair (GAGA Gallery, Seoul)
2015 ArtFair Affordable Art Fair (GAGA Gallery, Singapore)
2015 ArtFair Busan Art Market Arrair (GAGA Gallery, Busan)
2015 ArtFair Asia Contemporary Art Buyer (iLHO Gallery, Hong Kong)
2015 ArtFair Art Palmbeach (GAGA Gallery, Florida) Han, Bongju The Sea , 63x63cm, Photograph The Sea , 63x63cm, Photograph Han, Bongju 2008 목인 겔러리 (그룹전) Mokin Museum
2009 갤러리 서안(그룹전) Seoan Museum
2010 양천 도서관 갤러리 (그룹전) Yangcheon Library Gallery
2011 인사아트 (그룹전) Insa Art Center
2011 한국금융예탁원 갤러리 (그룹전) KSD Gallery
2013 인사아트 (그룹전) Insa Art Center
2013 한미미술관 (그룹전) Hanmi Museum
2014 한미미술관 (그룹전) Hanmi Museum Chang,Sungwon Love for You 15-3 _2015_maxing meterial on wood_60 x 60 cm Love for You 15-4 _2015_maxing meterial on wood_60 x 60 cm CHANG, SUNG-WON EDUCATION • A Master's degree in Applied Fine Art at Plastic Graduate School of SungShin Women's University SOLO EXHIBITION • Gallery Sa-gak (Insa, Seoul) • Gallery ZEINXENO (KwangHwaMoon, Seoul) SELECTED GROUP EXHIBITION • winter story (Violet Gallery, InSa, Seoul, 2014) & many times ART-FAIR • w-art show (Lottle Hotel, Jamsil, Seoul, 2014) • doors Art-Fair (Imperial Palace Hotel, NonHyun, Seoul, 2015) • SEOUL OPEN ART FAIR (COEX, SamSumg, Seoul, 2015) GAGA 2015.06.01
Jin Sup Yoon (Art Critic, Professor at Honam University)
I
The moon-jar (spelt as dalhangari in Korean), roundish and bulging in the middle, was named after its resemblance to the shape of the moon. It reminds you of the image of a full moon up afloat in the dark night sky on the first full moon day of the lunar calendar. The circular disk, as time goes by, is fated to be asymmetrical with one corner of it receding and tapering dint by dint. There could have been, I presume, a remote association between the unbalanced and plump form of the moon and the shape of a pot; the naming came from a sort of emotional response. The moon-jar, having been descended from the Chosun Dynasty does not have a perfectly circular appearance, which is rather different from its Chinese or Japanese counterpart. The Chinese or Japanese porcelains have different colours, whereas most of Chosun’s pots are white in colour. They have a mien similar to Chosun’s women dressed in their white garments; naïve and virtuous.
Choi Young Wook has been painting the Chosun’s moon-jar for quite a number of years. The image of the moon-jar almost fills up the whole canvas, which at a glance, looks as if the painter executed it using a hyperrealistic technique. This is why some viewers or critics are quick to categorize his work as a hyperrealism, but this interpretation is wrong. His work is not an objective representation of the image in a hyperrealistic style, but is rather, inclined to be subjective. The depiction of the image of the moon-jar is merely dressed in the style of figurative description. The only critical criterion that is summoned to interpreting his work as hyperrealistic is the reference to the description of the surface cracks on the pot, and this stems from the misunderstanding that the image of hairline cracks on the glazed porcelain surface represents the real fissure on the surface.
II
If so, what are the artist’s surface cracks referring to? What kind of thought did he have in mind while he meticulously drew the fine cracks of the jar surface? In order to answer these queries, it is necessary to re-examine and go back to his earlier works. I was fortunate enough to be asked to write a catalogue essay for his second solo exhibition in 1996 and I feel obliged to briefly mention this issue centring on this critical misconception. For the show in 1996, he exhibited works that were mainly coloured in white and hues of grey. There were faint images of ordinary subjects such as birds, chairs, people, wild flowers, a piano, or grapes drawn against the backdrop. As a whole, the pictorial ambience felt as if the artist himself was having a conversation with the depicted subjects. It intoned his sensibility in a subdued voice. I was compelled to write as follows:
“The encountering of Choi Young Wook’s works eventually means to submerge – to sink through and into his inner self. In other words, it is to apprehend the inside of an individual, a concrete form with mass and volume, through the delivering of an unfamiliar object. At this point, a piece of completed painting becomes a conduit to understanding and a clue to accessing the individual object. The figures, signs and symbols described on the canvas are the indispensible resources for comprehending the inner soul.”
As written in this preface of mine, Choi Young Wook is a type of artist who talks to himself – it is perhaps constitutional. From the early years until recent times, he has been constantly engaged with his work based on this artistic constitution. To him, drawing the images of subjects on a whitish or greyish base signifies a symbolization of experiences in a condensed manner. For what does the artist do such codification, and what kind of meaning does it convey to the artist himself or to the society?
III
Prior to the issue in question, one needs to pay attention to the title of his work: Karma. The word, translated to yeon (緣, bond) in Korean, or up (業, action or deeds to bring good or bad results) in Buddhist connotations, is a metaphorical take of the human life. The relations and bonds entangled like a skein of threads among human beings deliver karma, and karma endlessly circulates – this is the kernel of the ‘yeonki (緣起) theory’ (the principle regarding the creation and extinction of all things in the universe) of Buddhism. This notion of ‘yeonki theory’ is employed behind Choi Young Wook’s action to draw the fine cracked lines that form a connected network. To quote his own words:
“I drew every single line of the moon-jar, and it is not merely an expression of surface cracks of the porcelain. In life, we meet and separate, and meet again somewhere else: I wanted to express such journey of life. This is why I titled it ‘Karma’. Our life is never lived as it was intended to. I sometimes think that there is a presence of destiny. The lines are the expression of destiny, yeon (緣), or karma. All those long and tedious hours I spent on drawing lines were when I thought of my own yeon, karma.”
Choi Young Wook’s behaviour in painting is synonymous to the concept of cultivating or disciplining – something that is seen in many of Korean Monochrome Painting (Dansaekhwa) artists. If it is not so, there is no other possible way to explain his undergoing of such a strenuous task as his artistic labour: he applies layers of various nuances of white onto the canvas and makes up the shape of the moon-jar as if the form seems to be slightly emerging from the background, then finally draws a multitude of fine lines. His painting action is a gesture for seeking the truth, and ultimately, a struggle for self-liberation. It is a gesture trying to move towards zenith, similar to the state of nirvana. However, it is not a religious effort but rather an artistic ritual; it has a different dimension and it is more humane. He spends a remarkable amount of time on painting, and faces an avalanche of distracting thoughts, which indicates that his action is only something very human and not of religious or spiritual origin – he is only an artist. Thus, his purely artistic deed is miles away from undergoing spiritual training. The creating of countless fissure lines on the neatly prepared field of white glaze is a metaphor of life, and at the same time a kind of sign. It is akin to an abridged secret code. On the part of the viewers, it takes imagination to decrypt it, let alone to have the empathy to be able to susceptibly identify it with the viewers’ own life. It has a rhizomatous structure stretching out into all directions, proliferating rigorously.
IV
It is none other than a paradox that this rhizomatous feature of Choi Young Wook’s works, thoroughly grounded on the mode of an analogue display, is comparable to the mode of existence in the era of a digitalized civilization. Just like Jake’s remark from the film ‘Avatar’, “A billion trees belong to one giant tree”, the immeasurable thin lines in Choi Young Wook’s works visualize the unseen lines of connection in the domain of the social network Facebook. The invisible network of individual profiles amounting to nearly 900,000,000 reminds you of Choi Young Wook’s cracks; it is virtual yet real. Any meeting on Facebook can be made into a reality. Your action to press the button ‘like’ in regards to any statement or opinion that appears in cyberspace, is definitely a real action. There are also various kinds of emotion involved in cyber-actions, such as pleasure, cheering, love, rage, jealousy and hatred. Accompanied by such varying realistic emotions, friends of Facebook attempt to communicate with one another in the borderless cyberspace. There, the difference of skin colour, religion, or ethnicity does not exist. Once they mutually agree to be friends, the communication starts right away even if there is a certain language barrier between them. It is similar to the flowing river: all kinds of different information loaded on Facebook flows and runs like water in real-time. It is an excellent image of life in the figurative sense.
V
Choi Young Wook emphatically said that his paintings were a medium for communication. A form of art involves someone who has created it and someone who will appreciate it, and the potential of an interactive communication is built in it. The interaction between an artwork and a viewer is not a patent on the media art relying on a directly responsive method. The interactive experience is possible even in the genre of paintings made by even the analogue method in Choi Young Wook’s work. For instance, when he looks back upon his own life, connecting the lines of the entire web, those who have the ability to grasp the grammar of the artwork will similarly project their own life onto his painting. The artist says:
“What I hope is that those looking at my painting will think of their own stories and will be able to understand and communicate with people who are entangled in their own life.”
“It is the path of our life. [I am not intending to] represent the realistic image of cracks on the porcelain surface. Those lines that I depict split, converge, cut off and meet again at some point. Likewise, in our life, we meet, leave each other, and we are alike yet arguably different, and we can be unified into one, even if we are somewhat different.”
The cracks of the moon-jar is just as much of a symbol for the epitome of life, as a mere aesthetic object to be appreciated. Here is where the charm and ambiguousness of his moon-jar paintings pulsates. The image of the moon-jar at once not only emanates a traditional sense of beauty but a modern one as well. This inclusive aura comes from the colour, subject matter and form. The spectrum of elegant colours ranging from milky white to subtle white, variable grey and black, embodied on the traditional moon-jar, is the crystallization of the perseverance of Chosun potters. Whilst Choi Young Wook puts one foot into tradition, he is also committed to unravel the traditional beauty as something contemporary through the medium of painting. Upon observing his paintings from the technical aspect, there is a kind of optical trick hidden in his work. On the protruding part of the jar either includes a dab of shadow or an image of a traditional landscape, only to make it look genuinely real. Due to this element, the surface cracks provoke the viewers to have illusory feelings of believing them to be real, another reason why his works often come under the rubric of hyperrealism.
VI
The image of the moon-jar has recently become more flat and minimal. The moon-jar has been losing its plump and bulging attributes and the changed features accentuates the flatness even more. At the same time, the hairline cracks spread all over the surface of the jar, and in proportion with the expansion of fine lines, the distinctiveness of the shape of the jar is lessened. Although taking such course may be seen as a minute change, he seems to be advancing towards a certain climax. He will eventually reach ground zero, except I cannot guess when it will be. However, it appears obvious that there is an analogy of life in his work, and he is gradually making the thin mesh of fissures bigger in the similar way as his own life is proceeding: it is a piecemeal procedure in which the facets of one’s life, central or minor, are entwined with those of others, weaving a skein of bond and connection – an endless journey towards ground zero. Choi Young Wook 1964 Born in Seoul. Korea
1991 B.F.A Hong Ik University (Seoul. Korea)
2000 M.F.A Hong Ik University (Seoul. Korea) Solo Exhibition 2013 24th Solo Exhibition (Soul Art Space, Busan, Korea)
2013 23rd Solo Exhibition (Gallery a-cube, Tokyo, Japan)
2012 22th Solo Exhibition (Art issue projects.Taipei City. Taiwan)
2012 21th Solo Exhibition (Seojoungwook Gallery. Seoul.Korea)
2012 20th Solo Exhibition (Sun Contemporary. Seoul.Korea)
2012 19th Solo Exhibition (Lotte Gallery.Busan. Korea)
2011 18th Solo Exhibition (Mugaksa. Gwangju. Korea)
2011 17th Solo Exhibition (IAAF World Championships 2011 VIP room. Daegu.Korea)
2011 16th Solo Exhibition (Jun Gallery. Daegu. Korea)
2011 15th Solo Exhibition (Versace aki. Seoul. Korea)
2011 14th Solo Exhibition (Gaga Gallery. Seoul. Korea)
2010 13th Solo Exhibition (Yegam Gallery. New York. NY. USA )
2010 12th Solo Exhibition (Gaga Gallery. Seoul. Korea)
2010 11th Solo Exhibition (Gong Gallery. Seoul. Korea)
2009 10th Solo Exhibition (ArtGate Gallery. New York. NY. USA)
2007 9th Solo Exhibition (Woori Bank Kang Nam Gallery. Soop Gallery. Seoul. Korea)
2007 8th Solo Exhibition (ANNEX Convention Center. Fukuoka. Japan)
2006 7th Solo Exhibition (ONO Gallery. Tokyo. Japan)
2004 6th Solo Exhibition (Seoul Art Gallery. Seoul. Korea)
2003 5th Solo Exhibition (Noam Gallery. Seoul Korea)
2000 4th Solo Exhibition (Hong Ik University museum. Seoul. Korea)
2000 3rd Solo Exhibition (Alternative Space. Seoul. Korea)
1996 2nd Solo Exhibition (Kim Nae Hyun Gallery. Seoul. Korea)
1992 1st Solo Exhibition (Gain Gallery. Seoul. Korea) Group Exhibition 2014 ‘Friends, Trough the Years Ⅱ’ (JJ Joong Jung Gallery, Seoul, Korea)
2014 ‘Cultural Code’ (Springs Center of Art, Beijing, China)
2014 ‘K-P.O.P – Process, Otherness, Play’ (Museum of Contemporary Art Taipei, Taipei, Taiwan)
2013 ‘The Sounds of Korea’ (Embassy of the Republic of Korea in China, Beijing, China)
2013 ‘correspondence’ (BRIDGE GALLERY, Seoul, Korea)
2013 ‘RED GATE’ (Gallery Hogam, Seoul, Korea)
2013 ‘A SCENE FROM A MEMORY’ (odetoart, Singapore)
2013 ‘The Beauty Of Stillness’ (SUPERIOR GALLERY, Seoul, Korea)
2012 Hong-Ik International art Exhibition- alumnus exhibition (Hong Ik University.Seoul.Korea)
2012 Korea contemporary art exhibition (gallery sup. Seoul.Korea)
2012 Friends, Trough the Years (JJ Joong Jung gallery.Seoul.Korea)
2012 LOVE,TRACES-STORY OF LIFE (Gallery Maum. N.Y. USA)
2012 Korean Zone – Mind shadowing into Things (MIA gallery.Beijing,China)
2012 Studio Akka Group Exhibition (Studio Akka. Milano. Italia)
2012 Ilwoo Space Group Exhibition (Ilwoo Space. Seoul Korea)
2012 Reality Equals Dream (Art On Gallery. Singapore)
2012 Seek (JJ Joong Jung Gallery. Seoul. Korea)
2012 Flying Dragon Exhibition (Suppoment Gallery. Seoul. Korea)
2012 Adagio non molto (EON Gallery. Seoul. Korea)
2012 Art in Life Life in Art (Art On Gallery. Singapore)
2012 Gallery Epoque Group Exhibition (Epoque Gallery. Seoul. Korea)
2012 Stone, Water, Moon Exhibition (JJ Joongjung Gallery. Seoul. Korea)
2012 Fiction Nonfiction (Interalia Gallery. Seoul. Korea)
2012 Korea-China Exchane Exhibition (Indecon Gallery. Seoul. Korea)
2012 Korean and Japanese Contemporary Art Exhibition (Jigudang Gallery. Tokyo. Japan)
2012 Korean and Bulgarian Exchange Exhibition (Sofia Municipal Gallery of Art. Bulgaria)
2012 Exhibition Celebrating the Opening of Jungang Newspaper Branch. sponsored by Origin Painting Association (LA Jungang Newspaper Gallery. LA. USA)
2012 Metro Group Exhibition (In Sa Art Gallery. Seoul. Korea)
2012 Treasures From The Mythology (Yegam Gallery. N.Y. USA)
2012 Maum Group Exhibition (NY. USA)
2012 Suwon University Museum of Art (Suwon. Korea)
and participated over 150 times of group exhibition Art fair 2014 SOAF (Seoul, Korea)
2014 Chicago International Art Fair (Chicago, USA)
2014 Palm Beach Art Fair (Miami, USA)
2014 LA Art Show (LA, USA)
2014 Artshow Busan 2014 (Busan, Korea)
2014 New York Scope Art Show (New York, USA)
2014 Seoul Living Design Fair (Seoul, Korea)
2013 Art Miami CONTEXT, FL, USA
2013 Toronto Internatinal Art Fair (Toronto, Canada)
2013 Houston Art Fair (Houston, USA)
2013 G Seoul (Grand Hilton, Seoul, Korea)
2013 KIAF (Seoul, Korea)
2012 Miami art fair (Miami. USA)
2012 doors art fair (Seoul.Korea)
2012 KIAF(Seoul.Korea)
2012 Art Kwangju (Kwangju.Korea)
2012 Kunst art fair (Bolzano. Italy)
2012 KIAF (New York. USA)
2011 Cologne art fair (Cologne. Germany)
2011 Miami art fair (Miami. USA)
2011 Doors art fair (Seoul. Korea)
2011 Kwangju art fair (Kwangju. Korea)
2011 Singapore art fair (Singapore)
2011 KIAF art Fair (Seoul. Korea)
2011 Asia Top Gallery Hotel Fair Hyatt (Seoul. Korea)
2011 Asia Top Gallery Hotel art fair (Hong Kong)
2011 New York Scop art fair (USA)
2011 New York Red dot art fair (USA)
2011 Daegu artfair (Daegu. Korea)
2011 Miami Scop art fair (USA)
2010 LA art fair (USA)
2007 Kyeung Hyang Art Fair (Kyeng Ki. Korea)
2007 ANNEX Convention Center (Fukuoka. Japan)
2004 KIAF art fair (Seoul. Korea) Collection España Monarchy (España)
Luxembourg Monarchy (Luxembourg)
JEI Education (Seoul.Korea)
Bill & Melinda Gates Foundation (Seattle.USA)
Philadelphia Museum of Art (Philadelphia.USA)
Loreal Korea (Seoul. Korea)
Komferry Asia (Seoul. Korea)
NUVICOM (NJ.USA)
LG, U Plus (Seoul.Korea)
National Museum of Contemporary Art, Korea (Gwacheon. Korea)
Korea Herald (Seoul.Korea)
Baekgong Museum, Gangwon, Korea
Suwon University (Suwon. Korea)
MUDO SATIS MAGAZALARI A.S. (ISTANBUL. TURKIYE)
Blue Dot (Chilgok-gun.Gyeongsangbuk-do. Korea)
Korean Air (Seoul.Korea)
and Korea. USA. JAPAN. FRANCE.SPAIN.GERMANY… Present
A Member of Korea Fine Art Association
A Member of Kang Nam Art Association
A Member of Origin Art Association Woo, Byung-chul Woo, Byungchul, seeing. 91x72.7cm, 2010. oil on canvas Woo, Byungchul, seeing. 91x72.7cm, 2010. oil on canvas Mokwon University. fineart collage Solo Exhibition Yonngart Gallery2009, 2010, 2011 (Seoul) Kyunin Gallery 1998 (Seoul) Hyundae Gallery 1998 (Korea) OwonGallery 2003 (Korea) Art Fair Asia Top Hotel Art Fair(Seoul, HongKong) 2009~ 2013 SCOPE Art Fair(NewYork) 2010~2011 Seoul Open Art Fair(Seoul) 2009~2014 ArtHamptons(Hamptons. USA) 2011~2014 Art SouthHamptons(Hamptons. USA) 2014 ART FAIR21.( GERMANY) 2010~2011 HongKong AIAA(HongKong) 2009~2010 Gwangju Art Fair (Korea) 2010 Art Daegu(Korea) 2010 NewYork Art Expo(NewYork) 2009 Seoul Art Salon (Seoul) 2009 HongKong AIAA(HongKong) 2009, 2013 Shanghai Art Fair(Shanghai) 2009 Daegu Art Fair(Korea) 2009, 2014 Korea Art Fair(Seoul) 2003, 2013 LA Art Show( LA, USA) 2014~2015 Miami Spectrum Art Fair(USA) 2014 Miami Palm Beach Art Fair(USA) 2015 London Battersea Affordable(London) 2014 Cha Kyung Jin Cha Kyung Jin_ The Journey to Hunab Ku(Earth)_2015_ 140_87_37cm_ copper Wire Cha Kyung Jin_ The Journey to Hunab Ku(Earth)_2015_ copper Wire Education 1992 M.F.A., Seoul National University, Seoul, Korea Solo Exhibitions 2015 A Journey to Hunab Ku/ Gallery GO, Incheon 2013 Return to Nature /, Michuhol Gallery, Incheon 2011 2 Sculpture/ Sinseogye Window gallery,Incheon 2010Indra’s Net, Alchemy of Relationships / Cube Space, Seoul, Bupyeong Art Center, , Incheon 2007 Two Face/ Gualldam Gallery, Incheon 2007 Desire of the Forest/ Insa Art Center, Seoul, Michuhol Gallery, Incheon 2006 The Shadow of Existence/ Haewon Gallery, Incheon 1996 Civilization-Excavation, Apocalypse-The Time of Gods/ Kong Pyeong Art Center, Seoul Alvin Lee, Bung Lyol / 1952- lee Byunglyol Lee, Bung Lyol _Weather Map-Windy day_Mixed Media_78cmx46cm Lee, Bung Lyol _Weather Map-Windy day_Mixed Media_78cmx46cm Alvin Lee, Bung Lyol / 1952- Bangladesh Biennale 2004, Asian Biennale 2006 KL Malaysia, Asian Biennale 2008 Zhengzhou China , Planed Art Project - Asian Spirit & Soul 2008 ( Sung Nam Art Center ) Spirit Asia 2010,Beijing (Scola Art Center, Beijing, China) Selected Solo Exhibitions & Chief Group Exhibitions 11 times Solo Exhibitions (Shanghai, Singapore, Bali, Malaysia, Seoul etc) MIAF Art Fair 2014 (Hangaram Museum, Seoul Art Center) Invited to ‘Watercolor Today’ 2014 (Singapore) Asian Art Exhibition 2012 ( Tainan, Chinese Taipei Malaysia Art Expo 2006-20010 ( Malaysia ) ‘Spirit Asia’ 2010 Contemporary Art Exhibition(Scola Art Center, Beijing) Shanghai Art Expo 2009 (Shanghai) China Art Expo 2006 (Beijing) Invited to the "Asian Wind"(Chiba, Japan) The Korean Contemporary Art in Wien (Austria) The Korean Contemporary Art in Paris (France) Over Several Hundred times Participated in Numerous Major Private Exhibitions, Group Exhibitions in Austria, France, Germany, Tokyo, Beijing, Bangkok, Singapore, Hong Kong,Taiwan, Jakarta etc. Choi Seungyoon(1984~) Choi Seungyoon_Beginning of the stop-2015-32_oil on canvas_100x80cm Choi Seungyoon _Beginning of the stop-2015-32_oil on canvas_53x45cm Statement Every day of our lives, we are continually encountering the events which is caused by our ironical basic demands, such as get hungry so we eat, get hot so we drink cold water and work hard so we rest. We are in the middle of the gigantic stream of the story that is created by these balancing activities from these unlimited opposition solutions for our needs. In easy words, if we think that we should stop eating than we would like to keep eating, if there are something that gets forbidden than people will get crazy to do it. It is very common human society nature. I found recent Hollywood movie “Gravity” very intriguing. The keyword from the movie was the gravity as it said on the title. The gravity contains the very basic but powerful force that can disrupt the time and space. The planet contains this gravity becomes huge magnetic object, which I believe that is origin of the rule of the opposition between plus and minus. Magnet contains two different sides N and S which is very mirror characteristic. They only be able to exist because of each other’s existences. They cannot be separated. As planet contains magnetic characteristic, we humans also variously have these two different sides characteristic. May be that is why we call someone “Star” who keeps others attention very well. In this topic, it seems like I am demonstrating about magnetic characteristic between two opposite sides, however this discussion eventually become pointing at the third fact that is hidden. I believe that the world we are living is not only two opposite sides, there are third part. It is because of these two different sides. That is the reason why number three is easily acceptable for us. In many religions take the trinity very heavily, the three separations of powers in modern democracy countries and the most of competition counts up to the third place. In history, many of ancient scholars believed that human are consist of mind, soul and body. It could be effected by the fact that we are living in this three dimensional world. My work “The completion of the beginning” is the story about between the complexity and simplicity, Big and small. As our huge solar system is nothing but only the dot from Milky Way galaxy map. Our complicated lives only a tale to someone. Personally, “beginning of the stop” was a big problem to me, it had been always conversational topic to me when I decided the level of completion for my work. I personally consider my painting as a human being. As human dies, I thought the completion of my work is decided when the movement of the picture is stopped. However, in my rule of the opposition, it always makes it hard when I tried to stop the movement of the picture to complete. However, I consider that this paradox leads to me to express the ironical movement which is stopped but still moving. “The rule of the freedom” work came out in the opposite direction during my work “Beginning of the stop”. It was challenge to me with the thought “Let’s drawing freely”. It contains two face characteristic between stop and beginning, however I found often hard to orchestrate between this two opposite senses. For example, when I tried to draw feely, this thought became a limit to present a truly freedom. I think human made its own rules from the true freedom and when rule became limitation than always look for freedom. These activity has been going on entire human history. Therefore, it came to me as the thought that is it only ideal to think about the true freedom? Then there are no such a thing as the true freedom? I tried to describe this questions of mine in my work. Therefore, my work became not really free but also not really limited. From my work, I started to believe that if there are demands of being free then opposite side will demands as well so it will limit each other. I found that when the freely drawn lines met each other, they become closed space. To be specific, all oh my works “The completion of the beginning”, “The rule of the freedom” and “Beginning of the stop” series are basically similar but they are different. I think that it is the true nature of the world. Same but different, different but same. As in wider view we are all human beings but we think we are not the same. I think it is important to consider the true meaning of “The Opposite Side” from us. We think it is opposite, because it is opposite side from us or we think it is not this side so that we believe it is as “The Opposite Side”. I believe the ultranationalists and extremists of the left are actually similar. Two side divided oppositions are actually connected. I present this ironic characteristic world throughout my work. Seoul national university of science and technology , fine art Solo exhibition 2014 3-Party encounter / feeling store 2014 Beginning of the stop / Youngeun Museum of Contemporary Art 2013 Perfect flat / Leeha gallery 2013 It’s real / cafe theatre 2012 ‘Completion of departure’ / NH gallery 2011 'Choi Seung-yoon solo exhibition' / Song's gallery Team exhibition 2015 gaga contemporary art / gagagallery sixsense / gallery Ilho Young artist / United gallery YAP RETURNS / Vollekanne gallery YAP RELOAD / gallery Ilho 2014 Light / jevi-flower cafe Yap year-end / gallery pop Love&Thank you / minari house Seoul Design Spot / kimreea gallery Atropalce / Hyundai department gangdong young eyes / gangdong art center Contemporary art tends to read / ami museum MAKESHOP TOP10 / makeshop art space YAP harvest / chungmu art hall Loyalty / Put on downwind sails Morag Morag / Ilho gallery 2014 Young artist / gallery catholic YAP2014 Great gift / moonam gallery YAP2014 The 1st / chungmu art hall Space support project / united gallery 2013 one more / mooshin museum Young artist / gallery catholic Let’s Hang: Whatever you can carry / space O’newwall Gwanghwamun international art festival / Sejong art center sophia art company / gallery AW artmartket / gallery Jung NEW THINGKING NEW ART / leeseoul gallery Young & young artist project 3rd / youngeun museum of contemporary art 500,000won / Hongyunartcenter 2011 Gallery zum tema exhibition ‘Great minor of seoul city' / UNOFFICIAL PREVIEW 2010 ‘Graduation exhibition of excellent works’ / Gallery young 2009 ‘Good luck to' / Dokwon gallery 2008 Young-deng-po station permanent exhibition 'Young artist 4' / Art center soonsoo Fair 2015 Asia contemporary art fair / conrad hotel hongkong Artrooms / meila white hotel(UK, London) 2014 blanc blue hotel art fair / grand ambassador hotel seoul majoongmul art market / kimreea gallery breeze art fair / blue square nemo 2013 jung art market 3rd / gallery jung jung art market 1th / gallery jung Residence 2013~2014 yeongeun residence Works buy : youngeun museum, individuall, london(UK), Hongkong Kang, Hong Q Kang, Hong Q _ Rebirth at Hoi An _2013_ 100x66.5cm Kang, Hong Q_Rebirth at Hoi An -2014_ 100x66.5cm 1992 ChungAng university (Majored photograph) 1997 Academy of art university MFA (Majored Motion picture and Video) now assistant professor, Joongbu university (Broadcasting and visual art) 1997 solo exhibition in San Francisco Film "caninibals" 2004 solo exhibition in seoul , Avinon through window Jong wook, Jeong Jong wook, Jeong_2014_53x41cm_Mixed media on Canvas Jong wook, Jeong_2014_Energy, 53x41cm_Mixed media on Canvas Graduated f개m College of Fine Arts, Hongik Univ, South Korea Solo Exhibition 3times Group Exhibition (selected) Korea Artist Invitation in LA, Gallery Sun, LA, USA Korea-Russia Anniversary Art Exhibition, Central house of painters, Moskva, Russia Korea Modern Art, The Korean Consul at Osaka, Japan Salon D'HIVER, Paris, France The Exhibition in Commemoration of the International Association of Culture & Art Friendship, Seoul Museum, Seoul, South Korea The international Exchange Exhibition of Korea, South Korea Present Member of Hyung Seong Grup and Korea Fine Art Association CHOI, Haejung Art 2009 Ecole Emile Cohl, Lyon France 2003 Sculpture, Seoul National University (BFA) 1995 Seoul Art High School, painting and sculpture Solo 2015 <Among thoughts>, Gallery Far Beyond, South Korea 2014 Choi haejung Solo Exhibition, Space Not-Sun, South Korea 2013 <Bird>, Gallery Aura, Seoul, South Korea 2011 <Rear Window>, Gaga Gallery, Seoul, South Korea 2010 <Fenêtres>, SU Gallery, Seoul, South Korea Group, Selected Exhibitions 2015 <Turn the page> Artist Book Fair, Norfolk, England (scheduled in May) 2014 <About Books> Group Exhibition, Sangsangmadang gallery, Seoul, South Korea <Turn the page> Artist Book Fair, Norfolk, England 2013 <About Books> Group Exhibition, Sangsangmadang gallery, Seoul, South Korea 2012 <Art Salada> Korean-Japanese Artist group exhibition, Pyengchandong, Seoul <Book Dantalion> Korean Artist Introducing Section, Osaka, Japon <Wow Book> Independant Publishing Fair, Soegyodong, Seoul South Korea <About Books> Group Exhibition, Sangsangmadang gallery, Seoul, South Korea <Turn the page> Artist Book Fair, Norfolk, England 2011 <About Books> Group Exhibition, Sangsangmadang gallery, Seoul <Peong Chang> Group Exhibition, Sinsant gallery, Seoul <Sis book>Group Exhibition, Sono factory gallery, Seoul 2008 <Entre deux mondes> Group Exhibition, Lyon, France Competition & Awards 2014, 2013, 2012, 2011 About books , Sangsangmadang gallery, Seoul, Korea 2015, 2014, 2012 Turn the page 2015, 2014, 2012 , Norwich, England 2011 Competition for Pyeong-chang, Pyeong-chang olympic organization, Seoul, Korea Possession of work Gallery, Library, etc Far beyond Gallery, Seoul, Korea Gallery Aura, Seoul, Korea Book Dantalion, Osaka, Japon Sangsang Madang Gallery, Seoul, South Korea Seoul National University Library, South Korea Seoul National Library, South Korea Private Kim Kyung Hee (Prof. at Sungsil university), Kim jong hyon (prof. Seoul Natinal University of science and technology in Korea), Tsuchimochi Eitaro (Japan), etc. Park, Hyun Bae 2004 B.F.A Colleg of Fine Art, Daejin University 2011 M.F.A Daejin University Solo Exhibition 2012 Gallery Soon 2011 Seongnam Arts Center 2011 Gallery UNC 2010 Gallery K 2010 Gallery MOA 2009 Kwanhoon Gallery 2008 Seoho Gallery Other during participation in a number of art exhibitions Jung, Unsik Jung unsik - Steve Jobs, 310x80x500mm, steninless steel, 2015 Jung unsik - Audrey Hepburn, 320x80x500mm, steninlesssteel, 2015 Jung unsik Gyeongsang National. University (ART Education) graduation‘ University of Seoul (Environmental Sculpture) the master´s course private exhibition 2014 Side-面 (POSCOENC Master view Museum) 2013 면-面 (Iksan cultural foundation Amazing culture) 2013 ICON (Dongshin Univ. Culture Museum) 2012 Image (ART trees gallery) group exhibiton 2014.12 miami art fair (gaga gallery) 2014.10 Recovery (Red brick gallery) 2014.9 Art WINDS (SFAC) 2014.8 Harvest season (Chungmu art hall) 2014.7 YAP of four (Gallery M) 2014.6 1230 the study of Art (GNCAC) 2014.2 animation, animal (GMA) 2014.1 New carving (ARTspace H) award 2013 ART VILLAGE SINHWA Formative Fine Arts ,Grand prize 2013 Soeburi steel Art, Gold medal Kim, Dongwook Kim Dong-Wook- subway station 2015 oil on canvas 91x45.5cm Kim Dong-Wook rainy streets 2015 oil on canvas 91x45.5cm Kim Dong WookG WOOKEducationKeimyung University College of Fine Arts Studied at the Department of Fine Art, Saint-Petersburg Sate Universite, RussiaChung-Ang University School of Art and Art modelingAwardsSosa earn Art Competition destinationRepublic of Korea Nude Art Exhibition ExcellenceJeju Special eroticism contestPOSCO Specialty Art ExhibitionCod Art Exhibition specialtiesConstant Art of War SpecialExperienceCollege of Fine Arts Exhibition 2007 in Tianjin, China - Tianjin2008 little blue chips - sinmi Gallery (cod)2008 new attention Emerging Artists Exhibition - accompanied Gallery (Guangzhou)2009 new frontier atr space - Mercury ahteupiah (cod, private booths ago)2009 A Contemporary Art Exhibition - Tokyo Ginza. 2010 Contemporary Art Exhibition - Tabuk to gallery2010 Eastern Light (Italy Korea before inviting Harmony) - Rome2010 9th Yellow Sea Art Fair - Pyeongtaek Reservoir Art Museum (private booths ago)2010 19th International Art Expo punishment Sosa - Pyeongtaek Reservoir Art MuseumChung-Ang University School of Art 2011 self-portrait - a &s Gallery2011 Asia's flame ago - Suwon Museum2011 Asian KIEV - Hongik University2012 Asia program-old Seoul Station2012 Budding Artists - M Gallery2012 Daegu Art Fair - COEX2013 of the Yuyuan ago - Topo House2013 Cosmopolitan ago - Suwon MuseumKim Dong Wook 2013 Solo Exhibition, Gallery IzuKim Dong Wook 2014 Solo Exhibition, Insa Art Center (first teukbyeolgwan)2014 Through The Eyes Of Soul - Chungmu Art Center2014 YAP - Chungmu Art Center2014 YAP before harvest - Chungmu Art CenterGyeongnam Art Fair 2014 - Changwon Exhibition Convention Center2014 Young Artists - M Gallery2014 Morag Morag pre-issue Gallery2014 Asia program - nine Seoul2014 Seoul Art Show - COEX2015 Travel 2015 - M Gallery2015 YAP - issue Gallery2015 solo exhibition invites Kim Dong Wook - daon Gallery2015 Seoul Open Art Fair (SOFA) - COEXWorks sojangcheo- Baekyang Tourist Hotel, Pyeongtaek Reservoir Art Museum, Inc. go media- Yuk Young-soo Center, Children's Memorial Dual number munhakga In the work notes ...Among the many cities and familiar city to live every day that I passed in sometime during the trip, there is a romantic freedom, seems to have quietly been To loneliness coexist together.And pleasure of the city on the back of positive meaning of the brilliant life of modern people, which is a by-product of capitalism, has been fierce life inherent lonely modern people increasingly isolated.We feel is in freedom, is a deficiency, it is alienation and loneliness.Not only, deficiency and alienation, is in the loneliness of human double life of in the flower of the city to search for freedom and romance have been included in the work.Modern people in the intensity of the city, there is also Attempting craving Nukedaso the city, sometimes sophisticated scent of subtle beans and sometimes romantic city of night view of the cafe, that you miss the relationship between the people I have also. The lyricism of many cities fringed behind the city of pomp, loneliness and alienation of modern man, I want to expose to hope and loneliness and romance.Person of urban landscape is portrayed the impression to real in a way that has been re-configure the afterimage that gives light and shadow in the memory and spatial representation along the flow of time. Kim, Yoongwoong Alien, 72.7cm x 60.6cm, Mixed Media, 2015 Unfounded Journey-1_72.7cm x 60.6cm_Mixed Media_2015 Kim,Young Woong Graduated from Dept. of Fine Art , Hongik Univ. 2014 Sadaemun Artist Community Exhibition so on. 2014 MIAF Art Fair, Seoul Art Centre,Hangaram Museum/Collaboring works Malaysia Art Expo, Matrade Convention Centre , KL Nexart Exhibition 'Auction Party', Insa Art Gallery Asian Watercolour, Kepco Art Centre, Seoul Asian Art Expression, Tainan, Taiwan Art Museum Secretary General/IACO, Member of Korea Art Association HOJIN Hojin 60×60cm_ceramic on canvas_2014 HoJin_Sweet Imagination_60×60cm_ceramic on canvas_2014 HoJin
solo_11 / ArtFair_14 / Group_80
2015 Solo Shine Think (Gallery PUESTO, Seoul)
2015 Solo Le Penseur (GAGA Gallery, Seoul)
2015 ArtFair Affordable Art Fair (GAGA Gallery, Hong Kong)
2015 ArtFair Seoul Open Art Fair (GAGA Gallery, Seoul)
2015 ArtFair Affordable Art Fair (GAGA Gallery, Singapore)
2015 ArtFair Busan Art Market Arrair (GAGA Gallery, Busan)
2015 ArtFair Asia Contemporary Art Buyer (iLHO Gallery, Hong Kong)
2015 ArtFair Art Palmbeach (GAGA Gallery, Florida) Han, Bongju The Sea , 63x63cm, Photograph The Sea , 63x63cm, Photograph Han, Bongju 2008 목인 겔러리 (그룹전) Mokin Museum
2009 갤러리 서안(그룹전) Seoan Museum
2010 양천 도서관 갤러리 (그룹전) Yangcheon Library Gallery
2011 인사아트 (그룹전) Insa Art Center
2011 한국금융예탁원 갤러리 (그룹전) KSD Gallery
2013 인사아트 (그룹전) Insa Art Center
2013 한미미술관 (그룹전) Hanmi Museum
2014 한미미술관 (그룹전) Hanmi Museum Chang,Sungwon Love for You 15-3 _2015_maxing meterial on wood_60 x 60 cm Love for You 15-4 _2015_maxing meterial on wood_60 x 60 cm CHANG, SUNG-WON EDUCATION • A Master's degree in Applied Fine Art at Plastic Graduate School of SungShin Women's University SOLO EXHIBITION • Gallery Sa-gak (Insa, Seoul) • Gallery ZEINXENO (KwangHwaMoon, Seoul) SELECTED GROUP EXHIBITION • winter story (Violet Gallery, InSa, Seoul, 2014) & many times ART-FAIR • w-art show (Lottle Hotel, Jamsil, Seoul, 2014) • doors Art-Fair (Imperial Palace Hotel, NonHyun, Seoul, 2015) • SEOUL OPEN ART FAIR (COEX, SamSumg, Seoul, 2015) GAGA 2015.06.01
24
2015 HONG KONG AFFORDABLE ART FAIR 2015.5.22~24
AFFORDABLE ART FAIR HONG KONG 2014
22-24 May. 2015
HKCEC, HONG KONG Choi, Youngwook, Karma2015_68x62cm Mixed media Woo,Byung Chul _seeing, 2009. 30m(91x60.6cm_oil on canvas Jo, Yoongsun, The Way Out, 65.2 x 53.0cm oil on canvas 2012 JD.PARK__WOORUNGGAKSI (우렁각시)_6x8x25cm_Wood_2005 Flourish, 72.7X50 ,acrylic on canvas , 2015 Kwak, Dongjoon, feel the spring. 16, 10, 55h cm. plate glass, color epoxy. laminating, cutting, grinding, polishing. 2014 Ko, SukWon, Docking, 33x24cm Acrylic. 2014 Sung, Nacju, Contrast, 20F, Mixed media Kim, Tina , Festival, 49cmx49cm, Acrylic on canvas, 2015. Koo, Yookyung, flower, Mixed Media on Canvas, 45.5×45.5cm, 2015. Kim, Yang-soon, Catch mind 2, 2015 Mixed media 4F Seo, Yoongnam, unusual landscape 73 +53 oil on canvas 2013 kitty 키티 C141207C, Ceramic on Canvas, 40x40cm, 2014, 100만원 Jung unsik - Soohyun KIM EDITION, 230X100X300 mm, steel, 2015 Beginning of the stop-2015-36_oil on canvas_27x22_2015 Descendants of the Mongols 16.5cm x 22.0cm,paper.wood.thread, 2015 GAGA Gallery Booth No_C05 GAGA 2015.03.23
22-24 May. 2015
HKCEC, HONG KONG Choi, Youngwook, Karma2015_68x62cm Mixed media Woo,Byung Chul _seeing, 2009. 30m(91x60.6cm_oil on canvas Jo, Yoongsun, The Way Out, 65.2 x 53.0cm oil on canvas 2012 JD.PARK__WOORUNGGAKSI (우렁각시)_6x8x25cm_Wood_2005 Flourish, 72.7X50 ,acrylic on canvas , 2015 Kwak, Dongjoon, feel the spring. 16, 10, 55h cm. plate glass, color epoxy. laminating, cutting, grinding, polishing. 2014 Ko, SukWon, Docking, 33x24cm Acrylic. 2014 Sung, Nacju, Contrast, 20F, Mixed media Kim, Tina , Festival, 49cmx49cm, Acrylic on canvas, 2015. Koo, Yookyung, flower, Mixed Media on Canvas, 45.5×45.5cm, 2015. Kim, Yang-soon, Catch mind 2, 2015 Mixed media 4F Seo, Yoongnam, unusual landscape 73 +53 oil on canvas 2013 kitty 키티 C141207C, Ceramic on Canvas, 40x40cm, 2014, 100만원 Jung unsik - Soohyun KIM EDITION, 230X100X300 mm, steel, 2015 Beginning of the stop-2015-36_oil on canvas_27x22_2015 Descendants of the Mongols 16.5cm x 22.0cm,paper.wood.thread, 2015 GAGA Gallery Booth No_C05 GAGA 2015.03.23
23
2015 Singapore Affordable Art Fair
Koo,Yeon Joo,Nature-1316. 2013, Acrylic on canvas, 112x112cm
GAGA GALLERY_Ko, Suk-won, Docking, 2013, Acrylic, 60x72cm
Park,Jung Sook_infinity(무한)1481 60.6X72.7 Acrylic on canvas
GAGA Gallery, Choi,Seung Yoon_Law of Freedom,2015,oil on canvas_72.7x121cm
GAGA Gallery, Jo, Young sun, Revelation15, 2009,
Oil on canvas, 72.7x91cm
GAGA Gallery -Creative Gun Black_2015, C-Print on canvas_40X40cm
GAGA Gallery, Jang, Jin-yoong, relationship - Together 12, 2013,
Acrylic on Acrylic Panel, 30x30cm
Jung, WoonSik, Audrey Hepburn, 2015, Steninless steel, 320x80x500mm
Johannes Cordes, Candy2, Mixed media, 15x15cm
Kim,Yang Soon_마음을 붙잡다 2 4F Mixed media 2015
Kim,Ti Na, Bicycle Life, 2013,Acrylic on canvas,116.8cm×80.3cm
Kwak, Dong-joon, flow the some Falls memory. 2014,
plate glass, color epoxy. laminating, cutting, grinding, polishing. 43,10, 50h cm
Kim,Byung Gu, Book story,2010,Oil on canvas, 91x65cm
SINGAPORE AFFORDABLE ART FAIR
2015.4.17~19
F1.PIT B/D
GAGA Gallery
Booth No_2B-15
Artists
고석원 / Ko, Suk-won
곽동준 / Kwak, Dong-joon
구연주/ Koo,Yeon Joo
김양순 / Kim,Yang Soon
김티나 / Kim Ti Na
박정숙 / Park Jung Sook
사 영 / Sa Young
장진영 / Jang Jin Young
정운식 / Jung Woon Sik
조영선 / Jo,Young Sun
최승윤 / Choi Seung Yoon
김병구 / Kim Byung Gu
GAGA
2015.02.03
22
2015 ART PAlM BEACH 2015.1.21~25
가가&나인
곽동준_ Dongjun Kwak_ emerald stone
서영남_Youngnam Seo_Unusal landscape_Oil on canvas_2015
이 현 - Change of Spider web #5
정운식_Jung unsik - Audrey Hepburn, 320x80x500mm, steninlesssteel, 2015
조성천_Seongcheon Jo_ South Mountain Flower, 16.5x22cm, Paper, Gloss barnish, 2010
조영선_Yoongsun Jo_The Way Out 1 45.5x45.5cm oil on canvas 2011
김지용_Jiyoong Kim_ '1990'-Michael Jordan118000Pin, mixing materials_841x1071x50mm
_2013
박건규_Kunkyu Park_44x10x54cm
목재,석재,투명수지,2014
김호진_ Hojin_ Insight, Glass on Canvas, 100X70cm, 2014
GAGA
2015.01.16
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